Midnight Hour with Boys Noize & Ty Dolla $ign - Dub Mix
- BPM
- 126
- Open Key
- 3m
- Energy
- 97/100
- Pop
- 21/100
- Length
- 5:43
- Released
- 2019
- Album
- Midnight Hour with Boys Noize & Ty Dolla $ign (Remixes)
- Genre
- Dubstep
- Loudness
- -4.0 dB
- ISRC
- USAT21906970
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- Midnight Hour with Boys Noize & Ty Dolla $ignoriginal8B · 126
- Midnight Hour with Boys Noize & Ty Dolla $ign - Mall Grab Remixremix10B · 139
- Midnight Hour with Boys Noize & Ty Dolla $ign - Four Tet Remixremix6A · 126
- Midnight Hour with Boys Noize & Ty Dolla $ign - Loco Dice Remixremix10A · 130
Against the original (8B at 126 BPM), this version holds the same tempo and moves the key from 8B to 10A.
Midnight Hour with Boys Noize & Ty Dolla $ign - Dub Mix runs 126 BPM in B minor (10A), a club-tempo dubstep record. The feel is punchy, neutral in mood. The groove is strong and floor-ready. It is vocal-led. The master is loud and heavily compressed. Hotter than 93% of Skrillex's catalogue. For programming, treat it as a peak-time weapon.
- Groove:
- groovier than 87% of Skrillex's catalogue
- Tempo:
- slower than 76% of Skrillex's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
FAQ
What key is Midnight Hour with Boys Noize & Ty Dolla $ign - Dub Mix in?
Midnight Hour with Boys Noize & Ty Dolla $ign - Dub Mix by Skrillex is in B minor, or 10A on the Camelot wheel.
What BPM is Midnight Hour with Boys Noize & Ty Dolla $ign - Dub Mix?
Midnight Hour with Boys Noize & Ty Dolla $ign - Dub Mix runs at 126 BPM, a club-tempo track.
What mixes well with Midnight Hour with Boys Noize & Ty Dolla $ign - Dub Mix?
From 10A it blends harmonically with 11A, 10B, 9A. Moving to 11A lifts the energy a step.
Is Midnight Hour with Boys Noize & Ty Dolla $ign - Dub Mix good for peak time?
With energy 97 out of 100 at 126 BPM, it works best as a peak-time weapon.
Mixes harmonically
10A → 9A · 11A · 10BFrom 10A, 11A (F♯ minor) lifts the energy a step; 10B (D major) brightens to the relative major; 9A (E minor) cools the energy down a step.
How to mix it
In 10A at 126 BPM: 11A (F♯ minor) — move to 11A to push the floor harder; 10B (D major) — switch to 10B for a mood change without losing the groove; 9A (E minor) — drop to 9A to bring the room down gently.
Pitch range at ±6%: 118-134 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 5A rather than 10A; below -5% it reads as 3A. With key lock on, it stays 10A across the whole range.
Programming: a peak-time weapon — save it for the main stretch (energy 97/100).
Similar tempo
Within ±3 BPM of 126 — beatmatch without a big tempo pull.
More dubstep
More from Skrillex
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 126 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
