Dirty Bassline - Mix Cut
30s preview
- BPM
- 126
- Open Key
- 8d
- Energy
- 99/100
- Pop
- 0/100
- Length
- 3:25
- Released
- 2016
- Album
- The Sound Of Revealed 2016 (Mixed By Maddix, KAAZE & Suyano)
- Genre
- Electro House
- Loudness
- -4.6 dB
- Dynamics
- 11.0 dB
- ISRC
- NLS241601877
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- Dirty Basslineoriginal2B · 126
- Dirty Basslineoriginal3B · 126
- Dirty Bassline - Extended Mixversion3B · 126
- Dirty Bassline - Radio Editversion3B · 126
Dirty Bassline - Mix Cut: club-tempo electro house, D♭ major (3B), 126 BPM. The feel is dark and driving. Its spectrum is weighted to the sub and kick, with a heavy low end. The master is loud and heavily compressed. The master keeps unusual dynamic range for club music (crest 11 dB). A 2016 production that still circulates in sets. Slower than 99% of Maddix's catalogue. In a set it works best as a peak-time weapon.
- Reach:
- more underground than 99% of Maddix's catalogue
- Energy:
- hotter than 89% of Maddix's catalogue
- Brightness:
- darker than 75% of Maddix's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 35%
- Low
- 30-130 Hz
- 28%
- Low-mid
- 130-570 Hz
- 22%
- Upper-mid
- 570 Hz-2.5 kHz
- 16%
- High
- 2.5-11 kHz
FAQ
What key is Dirty Bassline - Mix Cut in?
Dirty Bassline - Mix Cut by Maddix is in D♭ major, or 3B on the Camelot wheel.
What BPM is Dirty Bassline - Mix Cut?
Dirty Bassline - Mix Cut runs at 126 BPM, a club-tempo track.
What mixes well with Dirty Bassline - Mix Cut?
From 3B it blends harmonically with 4B, 3A, 2B. Moving to 4B lifts the energy a step.
Is Dirty Bassline - Mix Cut good for peak time?
With energy 99 out of 100 at 126 BPM, it works best as a peak-time weapon.
Mixes harmonically
3B → 2B · 4B · 3AFrom 3B, 4B (A♭ major) lifts the energy a step; 3A (B♭ minor) settles into the relative minor; 2B (F♯ major) cools the energy down a step.
How to mix it
In 3B at 126 BPM: 4B (A♭ major) — move to 4B to push the floor harder; 3A (B♭ minor) — switch to 3A for a mood change without losing the groove; 2B (F♯ major) — drop to 2B to bring the room down gently.
Pitch range at ±6%: 118-134 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 10B rather than 3B; below -5% it reads as 8B. With key lock on, it stays 3B across the whole range.
Programming: a peak-time weapon — save it for the main stretch (energy 99/100).
Similar tempo
Within ±3 BPM of 126 — beatmatch without a big tempo pull.
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Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 126 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
