Get Naughty by Rafael Cerato cover art

Get Naughty

Rafael Cerato

30s preview

Key
10B · D major
BPM
126
Open Key
3d
Energy
99/100
Pop
0/100
Length
4:05
Released
2025
Genre
Tech House
Loudness
-4.7 dB
Dynamics
12.8 dB
ISRC
NLZ542500182

Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026

At 126 BPM in D major (10B), Get Naughty is a club-tempo tech house production. It reads as bright and euphoric. The master is loud and heavily compressed. The master keeps unusual dynamic range for club music (crest 13 dB). Hotter than 99% of Rafael Cerato's catalogue. For programming, treat it as a peak-time weapon.

Reach:
more underground than 99% of Rafael Cerato's catalogue
Low end:
more treble-tilted than 96% of Rafael Cerato's catalogue
Groove:
less groove-driven than 87% of Rafael Cerato's catalogue

Sonic profile

EnergyGrooveMoodOrganicInstr.LiveTempo
Energy99
Mood66Bright
Groove62
Acoustic0
Instrumental61
Live13
Speech4

Frequency spectrum

amplitude · bass → treble

601252505001k2k4k8k
26%
Low
30-130 Hz
28%
Low-mid
130-570 Hz
26%
Upper-mid
570 Hz-2.5 kHz
20%
High
2.5-11 kHz

FAQ

What key is Get Naughty in?

Get Naughty by Rafael Cerato is in D major, or 10B on the Camelot wheel.

What BPM is Get Naughty?

Get Naughty runs at 126 BPM, a club-tempo track.

What mixes well with Get Naughty?

From 10B it blends harmonically with 11B, 10A, 9B. Moving to 11B lifts the energy a step.

Is Get Naughty good for peak time?

With energy 99 out of 100 at 126 BPM, it works best as a peak-time weapon.

Mixes harmonically

10B9B · 11B · 10A

From 10B, 11B (A major) lifts the energy a step; 10A (B minor) settles into the relative minor; 9B (G major) cools the energy down a step.

Every move from 10B

11BSimple Mix Upper
9BSimple Mix Downer
10ATonal Shift·
11ADiagonal Mix Upper
9ADiagonal Mix Downer
1ACompatible Tone·
12BHigh Energy Boost▲▲▲
8BHigh Energy Drain▼▼▼
1BParallel Key Upper▲▲
7BParallel Key Downer▼▼
5BTritone Jump▲▲
2BRelated Keyrisky

How to mix it

In 10B at 126 BPM: 11B (A major) — move to 11B to push the floor harder; 10A (B minor) — switch to 10A for a mood change without losing the groove; 9B (G major) — drop to 9B to bring the room down gently.

Pitch range at ±6%: 118-134 BPM — anything in that window beatmatches without sounding stretched.

Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 5B rather than 10B; below -5% it reads as 3B. With key lock on, it stays 10B across the whole range.

Programming: a peak-time weapon — save it for the main stretch (energy 99/100).

Similar tempo

Within ±3 BPM of 126 — beatmatch without a big tempo pull.

More tech house

More from Rafael Cerato

Full profile

Other recommendations

Beyond strict key and genre matches: tracks that still sit in beatmatch range of 126 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.

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