Sound Vibrate by Rafael Cerato cover art

Sound Vibrate

Rafael Cerato

30s preview

Key
10B · D major
BPM
126
Open Key
3d
Energy
99/100
Pop
31/100
Length
4:09
Released
2025
Genre
Tech House
Loudness
-4.5 dB
Dynamics
9.1 dB
ISRC
BE5KW2500843

Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026

A club-tempo tech house cut, Sound Vibrate sits in D major (10B) at 126 BPM. Tonally it lands punchy, neutral in mood. Its spectrum is weighted to the sub and kick, with a heavy low end. The master is loud and heavily compressed. Hotter than 99% of Rafael Cerato's catalogue. In a set it works best as a peak-time weapon.

Reach:
better known than 97% of Rafael Cerato's catalogue
Tempo:
faster than 85% of Rafael Cerato's catalogue
Brightness:
brighter than 81% of Rafael Cerato's catalogue

Sonic profile

EnergyGrooveMoodOrganicInstr.LiveTempo
Energy99
Mood56Balanced
Groove67
Acoustic0
Instrumental65
Live7
Speech4

Frequency spectrum

amplitude · bass → treble

601252505001k2k4k8k
36%
Low
30-130 Hz
27%
Low-mid
130-570 Hz
22%
Upper-mid
570 Hz-2.5 kHz
15%
High
2.5-11 kHz

FAQ

What key is Sound Vibrate in?

Sound Vibrate by Rafael Cerato is in D major, or 10B on the Camelot wheel.

What BPM is Sound Vibrate?

Sound Vibrate runs at 126 BPM, a club-tempo track.

What mixes well with Sound Vibrate?

From 10B it blends harmonically with 11B, 10A, 9B. Moving to 11B lifts the energy a step.

Is Sound Vibrate good for peak time?

With energy 99 out of 100 at 126 BPM, it works best as a peak-time weapon.

Mixes harmonically

10B9B · 11B · 10A

From 10B, 11B (A major) lifts the energy a step; 10A (B minor) settles into the relative minor; 9B (G major) cools the energy down a step.

Every move from 10B

11BSimple Mix Upper
9BSimple Mix Downer
10ATonal Shift·
11ADiagonal Mix Upper
9ADiagonal Mix Downer
1ACompatible Tone·
12BHigh Energy Boost▲▲▲
8BHigh Energy Drain▼▼▼
1BParallel Key Upper▲▲
7BParallel Key Downer▼▼
5BTritone Jump▲▲
2BRelated Keyrisky

How to mix it

In 10B at 126 BPM: 11B (A major) — move to 11B to push the floor harder; 10A (B minor) — switch to 10A for a mood change without losing the groove; 9B (G major) — drop to 9B to bring the room down gently.

Pitch range at ±6%: 118-134 BPM — anything in that window beatmatches without sounding stretched.

Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 5B rather than 10B; below -5% it reads as 3B. With key lock on, it stays 10B across the whole range.

Programming: a peak-time weapon — save it for the main stretch (energy 99/100).

Similar tempo

Within ±3 BPM of 126 — beatmatch without a big tempo pull.

More tech house

More from Rafael Cerato

Full profile

Other recommendations

Beyond strict key and genre matches: tracks that still sit in beatmatch range of 126 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.

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