Overdag by Tinlicker cover art

Overdag

Tinlicker

30s preview

Key
4B · A♭ major
BPM
126
Open Key
9d
Energy
94/100
Pop
8/100
Length
6:44
Released
2015
Genre
Progressive House
Loudness
-4.3 dB
Dynamics
12.6 dB
ISRC
USQY51594675

Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026

At 126 BPM in A♭ major (4B), Overdag is a club-tempo progressive house production. The feel is dark and driving. The groove is strong and floor-ready. It is vocal-led. Its spectrum is weighted to the sub and kick, with a heavy low end. The master is loud and heavily compressed. The master keeps unusual dynamic range for club music (crest 13 dB). A 2015 production that still circulates in sets. Groovier than 93% of Tinlicker's catalogue.

Brightness:
brighter than 91% of Tinlicker's catalogue
Energy:
hotter than 87% of Tinlicker's catalogue
Tempo:
faster than 79% of Tinlicker's catalogue

Sonic profile

EnergyGrooveMoodOrganicInstr.LiveTempo
Energy94
Mood35Balanced
Groove76
Acoustic2
Instrumental7
Live5
Speech6

Frequency spectrum

amplitude · bass → treble

601252505001k2k4k8k
36%
Low
30-130 Hz
28%
Low-mid
130-570 Hz
22%
Upper-mid
570 Hz-2.5 kHz
14%
High
2.5-11 kHz

FAQ

What key is Overdag in?

Overdag by Tinlicker is in A♭ major, or 4B on the Camelot wheel.

What BPM is Overdag?

Overdag runs at 126 BPM, a club-tempo track.

What mixes well with Overdag?

From 4B it blends harmonically with 5B, 4A, 3B. Moving to 5B lifts the energy a step.

Is Overdag good for peak time?

With energy 94 out of 100 at 126 BPM, it works best as a peak-time weapon.

Mixes harmonically

4B3B · 5B · 4A

From 4B, 5B (E♭ major) lifts the energy a step; 4A (F minor) settles into the relative minor; 3B (D♭ major) cools the energy down a step.

Every move from 4B

5BSimple Mix Upper
3BSimple Mix Downer
4ATonal Shift·
5ADiagonal Mix Upper
3ADiagonal Mix Downer
7ACompatible Tone·
6BHigh Energy Boost▲▲▲
2BHigh Energy Drain▼▼▼
7BParallel Key Upper▲▲
1BParallel Key Downer▼▼
11BTritone Jump▲▲
8BRelated Keyrisky

How to mix it

In 4B at 126 BPM: 5B (E♭ major) — move to 5B to push the floor harder; 4A (F minor) — switch to 4A for a mood change without losing the groove; 3B (D♭ major) — drop to 3B to bring the room down gently.

Pitch range at ±6%: 118-134 BPM — anything in that window beatmatches without sounding stretched.

Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 11B rather than 4B; below -5% it reads as 9B. With key lock on, it stays 4B across the whole range.

Programming: a peak-time weapon — save it for the main stretch (energy 94/100).

Similar tempo

Within ±3 BPM of 126 — beatmatch without a big tempo pull.

More progressive house

More from Tinlicker

Full profile

Other recommendations

Beyond strict key and genre matches: tracks that still sit in beatmatch range of 126 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.

#Track