Sundown (radio edit) by Chris Lake cover art

Sundown (radio edit)

Chris Lake

Key
4A · F minor
BPM
126
Open Key
9m
Energy
91/100
Pop
30/100
Length
3:04
Released
2011
Genre
House
Loudness
-3.9 dB

Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026

Other versions

A club-tempo house cut, Sundown (radio edit) sits in F minor (4A) at 126 BPM. The feel is punchy, neutral in mood. It is vocal-led. The master is loud and heavily compressed. A 2011 production that still circulates in sets. Less groove-driven than 91% of Chris Lake's catalogue.

Tempo:
slower than 82% of Chris Lake's catalogue
Reach:
better known than 78% of Chris Lake's catalogue

Sonic profile

EnergyGrooveMoodOrganicInstr.LiveTempo
Energy91
Mood56Balanced
Groove60
Acoustic0
Instrumental0
Live30
Speech3

Frequency spectrum

amplitude · bass → treble

FAQ

What key is Sundown (radio edit) in?

Sundown (radio edit) by Chris Lake is in F minor, or 4A on the Camelot wheel.

What BPM is Sundown (radio edit)?

Sundown (radio edit) runs at 126 BPM, a club-tempo track.

What mixes well with Sundown (radio edit)?

From 4A it blends harmonically with 5A, 4B, 3A. Moving to 5A lifts the energy a step.

Is Sundown (radio edit) good for peak time?

With energy 91 out of 100 at 126 BPM, it works best as a peak-time weapon.

Mixes harmonically

4A3A · 5A · 4B

From 4A, 5A (C minor) lifts the energy a step; 4B (A♭ major) brightens to the relative major; 3A (B♭ minor) cools the energy down a step.

Every move from 4A

5ASimple Mix Upper
3ASimple Mix Downer
4BTonal Shift·
5BDiagonal Mix Upper
3BDiagonal Mix Downer
1BCompatible Tone·
6AHigh Energy Boost▲▲▲
2AHigh Energy Drain▼▼▼
7AParallel Key Upper▲▲
1AParallel Key Downer▼▼
11ATritone Jump▲▲
8ARelated Keyrisky

How to mix it

In 4A at 126 BPM: 5A (C minor) — move to 5A to push the floor harder; 4B (A♭ major) — switch to 4B for a mood change without losing the groove; 3A (B♭ minor) — drop to 3A to bring the room down gently.

Pitch range at ±6%: 118-134 BPM — anything in that window beatmatches without sounding stretched.

Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 11A rather than 4A; below -5% it reads as 9A. With key lock on, it stays 4A across the whole range.

Programming: a peak-time weapon — save it for the main stretch (energy 91/100).

Similar tempo

Within ±3 BPM of 126 — beatmatch without a big tempo pull.

More house

More from Chris Lake

Full profile
#Track

Other recommendations

Beyond strict key and genre matches: tracks that still sit in beatmatch range of 126 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.

#Track