Get Down Get Horny by Basement Jaxx cover art

Get Down Get Horny

Basement Jaxx

30s preview

Key
9A · E minor
BPM
126
Open Key
2m
Energy
93/100
Pop
5/100
Length
5:04
Released
1996
Genre
House
Loudness
-6.4 dB
Dynamics
17.3 dB
ISRC
GBEHB0400048

Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026

At 126 BPM in E minor (9A), Get Down Get Horny is a club-tempo house production. Tonally it lands dark and driving. It is vocal-led. Its spectrum is weighted to the sub and kick, with a heavy low end. The master keeps unusual dynamic range for club music (crest 17 dB). A 1996 production that still circulates in sets. Hotter than 78% of Basement Jaxx's catalogue. In a set it works best as a peak-time weapon.

Reach:
better known than 77% of Basement Jaxx's catalogue
Brightness:
darker than 76% of Basement Jaxx's catalogue

Sonic profile

EnergyGrooveMoodOrganicInstr.LiveTempo
Energy93
Mood29Dark
Groove67
Acoustic2
Instrumental3
Live18
Speech11

Frequency spectrum

amplitude · bass → treble

601252505001k2k4k8k
35%
Low
30-130 Hz
31%
Low-mid
130-570 Hz
22%
Upper-mid
570 Hz-2.5 kHz
12%
High
2.5-11 kHz

FAQ

What key is Get Down Get Horny in?

Get Down Get Horny by Basement Jaxx is in E minor, or 9A on the Camelot wheel.

What BPM is Get Down Get Horny?

Get Down Get Horny runs at 126 BPM, a club-tempo track.

What mixes well with Get Down Get Horny?

From 9A it blends harmonically with 10A, 9B, 8A. Moving to 10A lifts the energy a step.

Is Get Down Get Horny good for peak time?

With energy 93 out of 100 at 126 BPM, it works best as a peak-time weapon.

Mixes harmonically

9A8A · 10A · 9B

From 9A, 10A (B minor) lifts the energy a step; 9B (G major) brightens to the relative major; 8A (A minor) cools the energy down a step.

Every move from 9A

10ASimple Mix Upper
8ASimple Mix Downer
9BTonal Shift·
10BDiagonal Mix Upper
8BDiagonal Mix Downer
6BCompatible Tone·
11AHigh Energy Boost▲▲▲
7AHigh Energy Drain▼▼▼
12AParallel Key Upper▲▲
6AParallel Key Downer▼▼
4ATritone Jump▲▲
1ARelated Keyrisky

How to mix it

In 9A at 126 BPM: 10A (B minor) — move to 10A to push the floor harder; 9B (G major) — switch to 9B for a mood change without losing the groove; 8A (A minor) — drop to 8A to bring the room down gently.

Pitch range at ±6%: 118-134 BPM — anything in that window beatmatches without sounding stretched.

Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 4A rather than 9A; below -5% it reads as 2A. With key lock on, it stays 9A across the whole range.

Programming: a peak-time weapon — save it for the main stretch (energy 93/100).

Similar tempo

Within ±3 BPM of 126 — beatmatch without a big tempo pull.

More house

More from Basement Jaxx

Full profile

Other recommendations

Beyond strict key and genre matches: tracks that still sit in beatmatch range of 126 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.

#Track