All Night Alone - Chris Lake Edit
30s preview
- BPM
- 126
- Open Key
- 8d
- Energy
- 86/100
- Pop
- 8/100
- Length
- 2:59
- Released
- 2020
- Album
- All Night Alone (Chris Lake Edit)
- Genre
- House
- Loudness
- -6.8 dB
- Dynamics
- 11.1 dB
- ISRC
- QZA742002671
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
At 126 BPM in D♭ major (3B), All Night Alone - Chris Lake Edit is a club-tempo house production. Tonally it lands bright and euphoric. Rhythmically it is built for the dancefloor. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. The master keeps unusual dynamic range for club music (crest 11 dB). Brighter than 92% of Chris Lake's catalogue. In a set it works best as a peak-time weapon.
- Tempo:
- slower than 82% of Chris Lake's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 35%
- Low
- 30-130 Hz
- 29%
- Low-mid
- 130-570 Hz
- 22%
- Upper-mid
- 570 Hz-2.5 kHz
- 14%
- High
- 2.5-11 kHz
FAQ
What key is All Night Alone - Chris Lake Edit in?
All Night Alone - Chris Lake Edit by Chris Lake is in D♭ major, or 3B on the Camelot wheel.
What BPM is All Night Alone - Chris Lake Edit?
All Night Alone - Chris Lake Edit runs at 126 BPM, a club-tempo track.
What mixes well with All Night Alone - Chris Lake Edit?
From 3B it blends harmonically with 4B, 3A, 2B. Moving to 4B lifts the energy a step.
Is All Night Alone - Chris Lake Edit good for peak time?
With energy 86 out of 100 at 126 BPM, it works best as a peak-time weapon.
Mixes harmonically
3B → 2B · 4B · 3AFrom 3B, 4B (A♭ major) lifts the energy a step; 3A (B♭ minor) settles into the relative minor; 2B (F♯ major) cools the energy down a step.
![Endless [extended mix] by Marsh cover art](https://qzoszznbkkwwjtagnyok.supabase.co/storage/v1/object/public/dj-covers/764397c5f01ad2badd82.webp){kind=small}
How to mix it
In 3B at 126 BPM: 4B (A♭ major) — move to 4B to push the floor harder; 3A (B♭ minor) — switch to 3A for a mood change without losing the groove; 2B (F♯ major) — drop to 2B to bring the room down gently.
Pitch range at ±6%: 118-134 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 10B rather than 3B; below -5% it reads as 8B. With key lock on, it stays 3B across the whole range.
Programming: a peak-time weapon — save it for the main stretch (energy 86/100).
Similar tempo
Within ±3 BPM of 126 — beatmatch without a big tempo pull.
More house
More from Chris Lake
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 126 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
