From The Edge - Original Mix
30s preview
- BPM
- 126
- Open Key
- 8m
- Energy
- 84/100
- Pop
- 0/100
- Length
- 6:40
- Released
- 2012
- Album
- A Modern Ritual / From The Edge
- Genre
- Techno
- Loudness
- -10.8 dB
- Dynamics
- 10.8 dB
- ISRC
- GRKM11200144
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- From the Edgeoriginal3A · 126
- From The Edge - Steve Ward Remixremix3B · 126
A club-tempo techno cut, From The Edge - Original Mix sits in B♭ minor (3A) at 126 BPM. It reads as dark and driving. Rhythmically it is built for the dancefloor. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. The master keeps real dynamic headroom. A 2012 production that still circulates in sets. More underground than 99% of Dosem's catalogue. For programming, treat it as a peak-time weapon.
- Groove:
- groovier than 83% of Dosem's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 37%
- Low
- 30-130 Hz
- 29%
- Low-mid
- 130-570 Hz
- 18%
- Upper-mid
- 570 Hz-2.5 kHz
- 16%
- High
- 2.5-11 kHz
FAQ
What key is From The Edge - Original Mix in?
From The Edge - Original Mix by Dosem is in B♭ minor, or 3A on the Camelot wheel.
What BPM is From The Edge - Original Mix?
From The Edge - Original Mix runs at 126 BPM, a club-tempo track.
What mixes well with From The Edge - Original Mix?
From 3A it blends harmonically with 4A, 3B, 2A. Moving to 4A lifts the energy a step.
Is From The Edge - Original Mix good for peak time?
With energy 84 out of 100 at 126 BPM, it works best as a peak-time weapon.
Mixes harmonically
3A → 2A · 4A · 3BFrom 3A, 4A (F minor) lifts the energy a step; 3B (D♭ major) brightens to the relative major; 2A (E♭ minor) cools the energy down a step.
How to mix it
In 3A at 126 BPM: 4A (F minor) — move to 4A to push the floor harder; 3B (D♭ major) — switch to 3B for a mood change without losing the groove; 2A (E♭ minor) — drop to 2A to bring the room down gently.
Pitch range at ±6%: 118-134 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 10A rather than 3A; below -5% it reads as 8A. With key lock on, it stays 3A across the whole range.
Programming: a peak-time weapon — save it for the main stretch (energy 84/100).
Similar tempo
Within ±3 BPM of 126 — beatmatch without a big tempo pull.
More techno
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Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 126 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
