On To The Rhythm
- Key
- 5A · C minor
- BPM
- 126
- Open Key
- 10m
- Energy
- 84/100
- Pop
- 19/100
- Length
- 7:54
- Released
- 2014
- Genre
- Techno
- Loudness
- -8.7 dB
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- On to the Rhythmoriginal5A · 126
At 126 BPM in C minor (5A), On To The Rhythm is a club-tempo techno production. Tonally it lands punchy, neutral in mood. Rhythmically it is built for the dancefloor. The mix is almost entirely instrumental. A 2014 production that still circulates in sets. Slower than 97% of Bart Skils's catalogue. For programming, treat it as a peak-time weapon.
- Brightness:
- brighter than 86% of Bart Skils's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
FAQ
What key is On To The Rhythm in?
On To The Rhythm by Bart Skils is in C minor, or 5A on the Camelot wheel.
What BPM is On To The Rhythm?
On To The Rhythm runs at 126 BPM, a club-tempo track.
What mixes well with On To The Rhythm?
From 5A it blends harmonically with 6A, 5B, 4A. Moving to 6A lifts the energy a step.
Is On To The Rhythm good for peak time?
With energy 84 out of 100 at 126 BPM, it works best as a peak-time weapon.
Mixes harmonically
5A → 4A · 6A · 5BFrom 5A, 6A (G minor) lifts the energy a step; 5B (E♭ major) brightens to the relative major; 4A (F minor) cools the energy down a step.
How to mix it
In 5A at 126 BPM: 6A (G minor) — move to 6A to push the floor harder; 5B (E♭ major) — switch to 5B for a mood change without losing the groove; 4A (F minor) — drop to 4A to bring the room down gently.
Pitch range at ±6%: 118-134 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 12A rather than 5A; below -5% it reads as 10A. With key lock on, it stays 5A across the whole range.
Programming: a peak-time weapon — save it for the main stretch (energy 84/100).
Similar tempo
Within ±3 BPM of 126 — beatmatch without a big tempo pull.
More techno
More from Bart Skils
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 126 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
