Can't Hear You
30s preview
- BPM
- 136
- Open Key
- 4d
- Energy
- 96/100
- Pop
- 36/100
- Length
- 3:32
- Released
- 2025
- Genre
- Techno
- Loudness
- -5.4 dB
- Dynamics
- 9.6 dB
- ISRC
- GBUR62001139
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
At 136 BPM in A major (11B), Can't Hear You is a driving up-tempo techno production. Its spectrum is weighted to the sub and kick, with a heavy low end. Faster than 98% of Bart Skils's catalogue. In a set it works best as a peak-time weapon.
- Brightness:
- brighter than 97% of Bart Skils's catalogue
- Reach:
- better known than 85% of Bart Skils's catalogue
- Energy:
- hotter than 83% of Bart Skils's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 36%
- Low
- 30-130 Hz
- 27%
- Low-mid
- 130-570 Hz
- 20%
- Upper-mid
- 570 Hz-2.5 kHz
- 16%
- High
- 2.5-11 kHz
FAQ
What key is Can't Hear You in?
Can't Hear You by Bart Skils is in A major, or 11B on the Camelot wheel.
What BPM is Can't Hear You?
Can't Hear You runs at 136 BPM, a driving up-tempo track.
What mixes well with Can't Hear You?
From 11B it blends harmonically with 12B, 11A, 10B. Moving to 12B lifts the energy a step.
Is Can't Hear You good for peak time?
With energy 96 out of 100 at 136 BPM, it works best as a peak-time weapon.
Mixes harmonically
11B → 10B · 12B · 11AFrom 11B, 12B (E major) lifts the energy a step; 11A (F♯ minor) settles into the relative minor; 10B (D major) cools the energy down a step.
How to mix it
In 11B at 136 BPM: 12B (E major) — move to 12B to push the floor harder; 11A (F♯ minor) — switch to 11A for a mood change without losing the groove; 10B (D major) — drop to 10B to bring the room down gently.
Pitch range at ±6%: 128-144 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 6B rather than 11B; below -5% it reads as 4B. With key lock on, it stays 11B across the whole range.
Programming: a peak-time weapon — save it for the main stretch (energy 96/100).
Similar tempo
Within ±3 BPM of 136 — beatmatch without a big tempo pull.
More techno
More from Bart Skils
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 136 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
