Alone by Chris Lake cover art
Key
3B · D♭ major
BPM
126
Open Key
8d
Energy
86/100
Pop
0/100
Length
2:59
Released
2009
Genre
House
Loudness
-6.8 dB
ISRC
USNRS0822997

Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026

Alone runs 126 BPM in D♭ major (3B), a club-tempo house record. It reads as bright and euphoric. Rhythmically it is built for the dancefloor. The mix is almost entirely instrumental. A 2009 production that still circulates in sets. More underground than 99% of Chris Lake's catalogue. In a set it works best as a peak-time weapon.

Brightness:
brighter than 91% of Chris Lake's catalogue
Tempo:
slower than 82% of Chris Lake's catalogue

Sonic profile

EnergyGrooveMoodOrganicInstr.LiveTempo
Energy86
Mood84Bright
Groove80
Acoustic6
Instrumental81
Live9
Speech12

Frequency spectrum

amplitude · bass → treble

FAQ

What key is Alone in?

Alone by Chris Lake is in D♭ major, or 3B on the Camelot wheel.

What BPM is Alone?

Alone runs at 126 BPM, a club-tempo track.

What mixes well with Alone?

From 3B it blends harmonically with 4B, 3A, 2B. Moving to 4B lifts the energy a step.

Is Alone good for peak time?

With energy 86 out of 100 at 126 BPM, it works best as a peak-time weapon.

Mixes harmonically

3B2B · 4B · 3A

From 3B, 4B (A♭ major) lifts the energy a step; 3A (B♭ minor) settles into the relative minor; 2B (F♯ major) cools the energy down a step.

Every move from 3B

4BSimple Mix Upper
2BSimple Mix Downer
3ATonal Shift·
4ADiagonal Mix Upper
2ADiagonal Mix Downer
6ACompatible Tone·
5BHigh Energy Boost▲▲▲
1BHigh Energy Drain▼▼▼
6BParallel Key Upper▲▲
12BParallel Key Downer▼▼
10BTritone Jump▲▲
7BRelated Keyrisky

How to mix it

In 3B at 126 BPM: 4B (A♭ major) — move to 4B to push the floor harder; 3A (B♭ minor) — switch to 3A for a mood change without losing the groove; 2B (F♯ major) — drop to 2B to bring the room down gently.

Pitch range at ±6%: 118-134 BPM — anything in that window beatmatches without sounding stretched.

Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 10B rather than 3B; below -5% it reads as 8B. With key lock on, it stays 3B across the whole range.

Programming: a peak-time weapon — save it for the main stretch (energy 86/100).

Similar tempo

Within ±3 BPM of 126 — beatmatch without a big tempo pull.

More house

More from Chris Lake

Full profile
#Track

Other recommendations

Beyond strict key and genre matches: tracks that still sit in beatmatch range of 126 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.

#Track