Apel pierdut
30s preview
- BPM
- 127
- Open Key
- 8m
- Energy
- 45/100
- Pop
- 4/100
- Length
- 6:58
- Released
- 2021
- Album
- Atipic Digital 003
- Genre
- Minimal
- Loudness
- -16.5 dB
- Dynamics
- 12.9 dB
- ISRC
- QM42K2134437
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
At 127 BPM in B♭ minor (3A), Apel pierdut is a peak-time tempo minimal production. Tonally it lands dark and steady. Rhythmically it is built for the dancefloor. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. The master keeps real dynamic headroom. The master keeps unusual dynamic range for club music (crest 13 dB). Darker than 97% of Priku's catalogue. In a set it works best as a mid-set roller.
- Low end:
- more bass-heavy than 97% of Priku's catalogue
- Energy:
- calmer than 94% of Priku's catalogue
- Reach:
- more underground than 89% of Priku's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 53%
- Low
- 30-130 Hz
- 33%
- Low-mid
- 130-570 Hz
- 11%
- Upper-mid
- 570 Hz-2.5 kHz
- 3%
- High
- 2.5-11 kHz
FAQ
What key is Apel pierdut in?
Apel pierdut by Priku is in B♭ minor, or 3A on the Camelot wheel.
What BPM is Apel pierdut?
Apel pierdut runs at 127 BPM, a peak-time tempo track.
What mixes well with Apel pierdut?
From 3A it blends harmonically with 4A, 3B, 2A. Moving to 4A lifts the energy a step.
Is Apel pierdut good for peak time?
With energy 45 out of 100 at 127 BPM, it works best as a mid-set roller.
Mixes harmonically
3A → 2A · 4A · 3BFrom 3A, 4A (F minor) lifts the energy a step; 3B (D♭ major) brightens to the relative major; 2A (E♭ minor) cools the energy down a step.
How to mix it
In 3A at 127 BPM: 4A (F minor) — move to 4A to push the floor harder; 3B (D♭ major) — switch to 3B for a mood change without losing the groove; 2A (E♭ minor) — drop to 2A to bring the room down gently.
Pitch range at ±6%: 119-135 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 10A rather than 3A; below -5% it reads as 8A. With key lock on, it stays 3A across the whole range.
Programming: a mid-set roller.
Similar tempo
Within ±3 BPM of 127 — beatmatch without a big tempo pull.
More minimal
More from Priku
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 127 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
