Amos
30s preview
- Key
- 4A · F minor
- BPM
- 80
- Double-time
- 160
- Open Key
- 9m
- Energy
- 42/100
- Pop
- 14/100
- Length
- 4:11
- Released
- 2020
- Album
- Soundtracks: Dämonen
- Genre
- Ambient
- Label
- It's Complicated Records
- Loudness
- -10.2 dB
- Dynamics
- 17.6 dB
- ISRC
- DEX262000620
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
At 80 BPM in F minor (4A), Amos is a downtempo ambient production. Tonally it lands dark and steady. The groove is loose and less beat-driven. The mix is almost entirely instrumental. The master keeps real dynamic headroom. The master keeps unusual dynamic range for club music (crest 18 dB). Less groove-driven than 94% of Apparat's catalogue. In a set it works best as a warm-up or breakdown cut.
- Tempo:
- slower than 92% of Apparat's catalogue
- Low end:
- more treble-tilted than 91% of Apparat's catalogue
- Reach:
- better known than 77% of Apparat's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 24%
- Low
- 30-130 Hz
- 31%
- Low-mid
- 130-570 Hz
- 29%
- Upper-mid
- 570 Hz-2.5 kHz
- 16%
- High
- 2.5-11 kHz
FAQ
What key is Amos in?
Amos by Apparat is in F minor, or 4A on the Camelot wheel.
What BPM is Amos?
Amos runs at 80 BPM, a downtempo track.
What mixes well with Amos?
From 4A it blends harmonically with 5A, 4B, 3A. Moving to 5A lifts the energy a step.
Is Amos good for peak time?
With energy 42 out of 100 at 80 BPM, it works best as a warm-up or breakdown cut.
Mixes harmonically
4A → 3A · 5A · 4BFrom 4A, 5A (C minor) lifts the energy a step; 4B (A♭ major) brightens to the relative major; 3A (B♭ minor) cools the energy down a step.
How to mix it
In 4A at 80 BPM: 5A (C minor) — move to 5A to push the floor harder; 4B (A♭ major) — switch to 4B for a mood change without losing the groove; 3A (B♭ minor) — drop to 3A to bring the room down gently.
Pitch range at ±6%: 75-85 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 11A rather than 4A; below -5% it reads as 9A. With key lock on, it stays 4A across the whole range.
Programming: a warm-up or breakdown cut — early set or after a peak to reset the room.
Similar tempo
Within ±3 BPM of 80 — beatmatch without a big tempo pull.
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Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 80 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
