The Cloud Oracle
30s preview
- BPM
- 83
- Double-time
- 166
- Open Key
- 8d
- Energy
- 28/100
- Pop
- 12/100
- Length
- 3:28
- Released
- 2021
- Genre
- Idm
- Loudness
- -20.5 dB
- Dynamics
- 14.0 dB
- ISRC
- GBWZD2114707
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
At 83 BPM in D♭ major (3B), The Cloud Oracle is a downtempo idm production. It reads as brooding and low-slung. The groove is loose and less beat-driven. Spoken-word passages run through it. Its spectrum is centred in the low-mids, warm and bass-forward. The master keeps real dynamic headroom. The master keeps unusual dynamic range for club music (crest 14 dB). Slower than 92% of Rival Consoles's catalogue. For programming, treat it as a warm-up or breakdown cut.
- Low end:
- more treble-tilted than 89% of Rival Consoles's catalogue
- Energy:
- calmer than 88% of Rival Consoles's catalogue
- Groove:
- less groove-driven than 80% of Rival Consoles's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 31%
- Low
- 30-130 Hz
- 35%
- Low-mid
- 130-570 Hz
- 29%
- Upper-mid
- 570 Hz-2.5 kHz
- 6%
- High
- 2.5-11 kHz
FAQ
What key is The Cloud Oracle in?
The Cloud Oracle by Rival Consoles is in D♭ major, or 3B on the Camelot wheel.
What BPM is The Cloud Oracle?
The Cloud Oracle runs at 83 BPM, a downtempo track.
What mixes well with The Cloud Oracle?
From 3B it blends harmonically with 4B, 3A, 2B. Moving to 4B lifts the energy a step.
Is The Cloud Oracle good for peak time?
With energy 28 out of 100 at 83 BPM, it works best as a warm-up or breakdown cut.
Mixes harmonically
3B → 2B · 4B · 3AFrom 3B, 4B (A♭ major) lifts the energy a step; 3A (B♭ minor) settles into the relative minor; 2B (F♯ major) cools the energy down a step.
How to mix it
In 3B at 83 BPM: 4B (A♭ major) — move to 4B to push the floor harder; 3A (B♭ minor) — switch to 3A for a mood change without losing the groove; 2B (F♯ major) — drop to 2B to bring the room down gently.
Pitch range at ±6%: 78-88 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 10B rather than 3B; below -5% it reads as 8B. With key lock on, it stays 3B across the whole range.
Programming: a warm-up or breakdown cut — early set or after a peak to reset the room.
Similar tempo
Within ±3 BPM of 83 — beatmatch without a big tempo pull.
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Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 83 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
