Be Kind by Rival Consoles cover art

30s preview

Key
3A · B♭ minor
BPM
154
Half-time
77
Open Key
8m
Energy
34/100
Pop
35/100
Length
4:07
Released
2018
Genre
Idm
Loudness
-20.1 dB
Dynamics
11.8 dB
ISRC
GBWZD1810905

Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026

Be Kind runs 154 BPM in B♭ minor (3A), a fast idm record. The mix is almost entirely instrumental. Its spectrum is centred in the low-mids, warm and bass-forward. The master keeps real dynamic headroom. The master keeps unusual dynamic range for club music (crest 12 dB). A 2018 production that still circulates in sets. Better known than 94% of Rival Consoles's catalogue. In a set it works best as a warm-up or breakdown cut.

Brightness:
brighter than 87% of Rival Consoles's catalogue
Tempo:
faster than 84% of Rival Consoles's catalogue
Energy:
calmer than 81% of Rival Consoles's catalogue

Sonic profile

EnergyGrooveMoodOrganicInstr.LiveTempo
Energy34
Mood45Balanced
Groove51
Acoustic96
Instrumental93
Live10
Speech4
darkrelaxedinstrumental

Frequency spectrum

amplitude · bass → treble

601252505001k2k4k8k
37%
Low
30-130 Hz
40%
Low-mid
130-570 Hz
21%
Upper-mid
570 Hz-2.5 kHz
1%
High
2.5-11 kHz

FAQ

What key is Be Kind in?

Be Kind by Rival Consoles is in B♭ minor, or 3A on the Camelot wheel.

What BPM is Be Kind?

Be Kind runs at 154 BPM, a fast track.

What mixes well with Be Kind?

From 3A it blends harmonically with 4A, 3B, 2A. Moving to 4A lifts the energy a step.

Is Be Kind good for peak time?

With energy 34 out of 100 at 154 BPM, it works best as a warm-up or breakdown cut.

Mixes harmonically

3A2A · 4A · 3B

From 3A, 4A (F minor) lifts the energy a step; 3B (D♭ major) brightens to the relative major; 2A (E♭ minor) cools the energy down a step.

#Track

Every move from 3A

4ASimple Mix Upper
2ASimple Mix Downer
3BTonal Shift·
4BDiagonal Mix Upper
2BDiagonal Mix Downer
12BCompatible Tone·
5AHigh Energy Boost▲▲▲
1AHigh Energy Drain▼▼▼
6AParallel Key Upper▲▲
12AParallel Key Downer▼▼
10ATritone Jump▲▲
7ARelated Keyrisky

How to mix it

In 3A at 154 BPM: 4A (F minor) — move to 4A to push the floor harder; 3B (D♭ major) — switch to 3B for a mood change without losing the groove; 2A (E♭ minor) — drop to 2A to bring the room down gently.

Pitch range at ±6%: 145-163 BPM — anything in that window beatmatches without sounding stretched.

Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 10A rather than 3A; below -5% it reads as 8A. With key lock on, it stays 3A across the whole range.

Programming: a warm-up or breakdown cut — early set or after a peak to reset the room.

Similar tempo

Within ±3 BPM of 154 — beatmatch without a big tempo pull.

#Track

More idm

#Track

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Full profile
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Other recommendations

Beyond strict key and genre matches: tracks that still sit in beatmatch range of 154 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.

#Track