Find Your Way
30s preview
- BPM
- 80
- Double-time
- 160
- Open Key
- 5m
- Energy
- 55/100
- Pop
- 0/100
- Length
- 7:46
- Released
- 2020
- Genre
- Minimal
- Loudness
- -11.1 dB
- Dynamics
- 12.8 dB
- ISRC
- DECY52002703
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
At 80 BPM in D♭ minor (12A), Find Your Way is a downtempo minimal production. It reads as balanced in mood. It is vocal-led. Its spectrum is weighted to the sub and kick, with a heavy low end. The master keeps real dynamic headroom. The master keeps unusual dynamic range for club music (crest 13 dB). Slower than 99% of Len Faki's catalogue. In a set it works best as an opener or closing-set piece.
- Reach:
- more underground than 99% of Len Faki's catalogue
- Groove:
- less groove-driven than 97% of Len Faki's catalogue
- Energy:
- calmer than 94% of Len Faki's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 34%
- Low
- 30-130 Hz
- 31%
- Low-mid
- 130-570 Hz
- 22%
- Upper-mid
- 570 Hz-2.5 kHz
- 13%
- High
- 2.5-11 kHz
FAQ
What key is Find Your Way in?
Find Your Way by Len Faki is in D♭ minor, or 12A on the Camelot wheel.
What BPM is Find Your Way?
Find Your Way runs at 80 BPM, a downtempo track.
What mixes well with Find Your Way?
From 12A it blends harmonically with 1A, 12B, 11A. Moving to 1A lifts the energy a step.
Is Find Your Way good for peak time?
With energy 55 out of 100 at 80 BPM, it works best as an opener or closing-set piece.
Mixes harmonically
12A → 11A · 1A · 12BFrom 12A, 1A (A♭ minor) lifts the energy a step; 12B (E major) brightens to the relative major; 11A (F♯ minor) cools the energy down a step.
How to mix it
In 12A at 80 BPM: 1A (A♭ minor) — move to 1A to push the floor harder; 12B (E major) — switch to 12B for a mood change without losing the groove; 11A (F♯ minor) — drop to 11A to bring the room down gently.
Pitch range at ±6%: 75-85 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 7A rather than 12A; below -5% it reads as 5A. With key lock on, it stays 12A across the whole range.
Programming: an opener or closing-set piece.
Similar tempo
Within ±3 BPM of 80 — beatmatch without a big tempo pull.
More minimal
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Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 80 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
