Faze by Namito cover art

Faze

Namito

30s preview

Key
7A · D minor
BPM
172
Half-time
86
Open Key
12m
Energy
48/100
Pop
0/100
Length
3:36
Released
2023
Album
Chaska | Faze
Genre
Minimal
Loudness
-14.0 dB
Dynamics
18.1 dB
ISRC
US83Z2314656

Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026

A minimal cut, Faze sits in D minor (7A) at 172 BPM. It reads as dark and steady. The mix is almost entirely instrumental. The master keeps real dynamic headroom. The master keeps unusual dynamic range for club music (crest 18 dB). More underground than 99% of Namito's catalogue. In a set it works best as an opener or closing-set piece.

Tempo:
faster than 98% of Namito's catalogue
Low end:
more treble-tilted than 95% of Namito's catalogue
Energy:
calmer than 85% of Namito's catalogue

Sonic profile

EnergyGrooveMoodOrganicInstr.LiveTempo
Energy48
Mood32Dark
Groove69
Acoustic28
Instrumental91
Live9
Speech9

Frequency spectrum

amplitude · bass → treble

601252505001k2k4k8k
29%
Low
30-130 Hz
30%
Low-mid
130-570 Hz
23%
Upper-mid
570 Hz-2.5 kHz
18%
High
2.5-11 kHz

FAQ

What key is Faze in?

Faze by Namito is in D minor, or 7A on the Camelot wheel.

What BPM is Faze?

Faze runs at 172 BPM.

What mixes well with Faze?

From 7A it blends harmonically with 8A, 7B, 6A. Moving to 8A lifts the energy a step.

Is Faze good for peak time?

With energy 48 out of 100 at 172 BPM, it works best as an opener or closing-set piece.

Mixes harmonically

7A6A · 8A · 7B

From 7A, 8A (A minor) lifts the energy a step; 7B (F major) brightens to the relative major; 6A (G minor) cools the energy down a step.

#Track

Every move from 7A

8ASimple Mix Upper
6ASimple Mix Downer
7BTonal Shift·
8BDiagonal Mix Upper
6BDiagonal Mix Downer
4BCompatible Tone·
9AHigh Energy Boost▲▲▲
5AHigh Energy Drain▼▼▼
10AParallel Key Upper▲▲
4AParallel Key Downer▼▼
2ATritone Jump▲▲
11ARelated Keyrisky

How to mix it

In 7A at 172 BPM: 8A (A minor) — move to 8A to push the floor harder; 7B (F major) — switch to 7B for a mood change without losing the groove; 6A (G minor) — drop to 6A to bring the room down gently.

Pitch range at ±6%: 162-182 BPM — anything in that window beatmatches without sounding stretched.

Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 2A rather than 7A; below -5% it reads as 12A. With key lock on, it stays 7A across the whole range.

Programming: an opener or closing-set piece.

Similar tempo

Within ±3 BPM of 172 — beatmatch without a big tempo pull.

#Track

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More from Namito

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Other recommendations

Beyond strict key and genre matches: tracks that still sit in beatmatch range of 172 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.

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