light dark light
30s preview
- Key
- 7B · F major
- BPM
- 172
- Half-time
- 86
- Open Key
- 12d
- Energy
- 10/100
- Pop
- 51/100
- Length
- 3:07
- Released
- 2024
- Genre
- Minimal
- Loudness
- -15.2 dB
- Dynamics
- 13.7 dB
- ISRC
- GBAHS2400775
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
light dark light: minimal, F major (7B), 172 BPM. It is vocal-led. Its spectrum is centred in the low-mids, warm and bass-forward. The master keeps real dynamic headroom. The master keeps unusual dynamic range for club music (crest 14 dB). Calmer than 94% of Fred again's catalogue. In a set it works best as a warm-up or breakdown cut.
- Tempo:
- faster than 93% of Fred again's catalogue
- Low end:
- more treble-tilted than 90% of Fred again's catalogue
- Reach:
- better known than 78% of Fred again's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 30%
- Low
- 30-130 Hz
- 41%
- Low-mid
- 130-570 Hz
- 24%
- Upper-mid
- 570 Hz-2.5 kHz
- 5%
- High
- 2.5-11 kHz
FAQ
What key is light dark light in?
light dark light by Fred again is in F major, or 7B on the Camelot wheel.
What BPM is light dark light?
light dark light runs at 172 BPM.
What mixes well with light dark light?
From 7B it blends harmonically with 8B, 7A, 6B. Moving to 8B lifts the energy a step.
Is light dark light good for peak time?
With energy 10 out of 100 at 172 BPM, it works best as a warm-up or breakdown cut.
Mixes harmonically
7B → 6B · 8B · 7AFrom 7B, 8B (C major) lifts the energy a step; 7A (D minor) settles into the relative minor; 6B (B♭ major) cools the energy down a step.
How to mix it
In 7B at 172 BPM: 8B (C major) — move to 8B to push the floor harder; 7A (D minor) — switch to 7A for a mood change without losing the groove; 6B (B♭ major) — drop to 6B to bring the room down gently.
Pitch range at ±6%: 162-182 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 2B rather than 7B; below -5% it reads as 12B. With key lock on, it stays 7B across the whole range.
Programming: a warm-up or breakdown cut — early set or after a peak to reset the room.
Similar tempo
Within ±3 BPM of 172 — beatmatch without a big tempo pull.
More minimal
More from Fred again
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 172 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
