Blood In The Streets
30s preview
- Key
- 9B · G major
- BPM
- 174
- Half-time
- 87
- Open Key
- 2d
- Energy
- 36/100
- Pop
- 10/100
- Length
- 6:31
- Released
- 2007
- Genre
- Minimal
- Loudness
- -16.3 dB
- Dynamics
- 9.9 dB
- ISRC
- DEL020750016
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
A minimal cut, Blood In The Streets sits in G major (9B) at 174 BPM. Tonally it lands brooding and low-slung. It leans atmospheric over strictly danceable. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. The master keeps real dynamic headroom. A 2007 production that still circulates in sets. Faster than 96% of Trentemøller's catalogue. For programming, treat it as a warm-up or breakdown cut.
- Groove:
- less groove-driven than 93% of Trentemøller's catalogue
- Energy:
- calmer than 88% of Trentemøller's catalogue
- Low end:
- more bass-heavy than 88% of Trentemøller's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 44%
- Low
- 30-130 Hz
- 33%
- Low-mid
- 130-570 Hz
- 18%
- Upper-mid
- 570 Hz-2.5 kHz
- 4%
- High
- 2.5-11 kHz
FAQ
What key is Blood In The Streets in?
Blood In The Streets by Trentemøller is in G major, or 9B on the Camelot wheel.
What BPM is Blood In The Streets?
Blood In The Streets runs at 174 BPM.
What mixes well with Blood In The Streets?
From 9B it blends harmonically with 10B, 9A, 8B. Moving to 10B lifts the energy a step.
Is Blood In The Streets good for peak time?
With energy 36 out of 100 at 174 BPM, it works best as a warm-up or breakdown cut.
Mixes harmonically
9B → 8B · 10B · 9AFrom 9B, 10B (D major) lifts the energy a step; 9A (E minor) settles into the relative minor; 8B (C major) cools the energy down a step.
How to mix it
In 9B at 174 BPM: 10B (D major) — move to 10B to push the floor harder; 9A (E minor) — switch to 9A for a mood change without losing the groove; 8B (C major) — drop to 8B to bring the room down gently.
Pitch range at ±6%: 164-184 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 4B rather than 9B; below -5% it reads as 2B. With key lock on, it stays 9B across the whole range.
Programming: a warm-up or breakdown cut — early set or after a peak to reset the room.
Similar tempo
Within ±3 BPM of 174 — beatmatch without a big tempo pull.
More minimal
More from Trentemøller
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 174 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
