Final
30s preview
- BPM
- 180
- Half-time
- 90
- Open Key
- 4d
- Energy
- 30/100
- Pop
- 0/100
- Length
- 1:51
- Released
- 2019
- Genre
- Minimal
- Loudness
- -13.4 dB
- Dynamics
- 10.2 dB
- ISRC
- GBUR61700326
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Final runs 180 BPM in A major (11B), a minimal record. Tonally it lands brooding and low-slung. The groove is loose and less beat-driven. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. The master keeps real dynamic headroom. Calmer than 99% of Julian Jeweil's catalogue. For programming, treat it as a warm-up or breakdown cut.
- Tempo:
- faster than 99% of Julian Jeweil's catalogue
- Groove:
- less groove-driven than 99% of Julian Jeweil's catalogue
- Reach:
- more underground than 99% of Julian Jeweil's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 38%
- Low
- 30-130 Hz
- 27%
- Low-mid
- 130-570 Hz
- 27%
- Upper-mid
- 570 Hz-2.5 kHz
- 8%
- High
- 2.5-11 kHz
FAQ
What key is Final in?
Final by Julian Jeweil is in A major, or 11B on the Camelot wheel.
What BPM is Final?
Final runs at 180 BPM.
What mixes well with Final?
From 11B it blends harmonically with 12B, 11A, 10B. Moving to 12B lifts the energy a step.
Is Final good for peak time?
With energy 30 out of 100 at 180 BPM, it works best as a warm-up or breakdown cut.
Mixes harmonically
11B → 10B · 12B · 11AFrom 11B, 12B (E major) lifts the energy a step; 11A (F♯ minor) settles into the relative minor; 10B (D major) cools the energy down a step.
How to mix it
In 11B at 180 BPM: 12B (E major) — move to 12B to push the floor harder; 11A (F♯ minor) — switch to 11A for a mood change without losing the groove; 10B (D major) — drop to 10B to bring the room down gently.
Pitch range at ±6%: 169-191 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 6B rather than 11B; below -5% it reads as 4B. With key lock on, it stays 11B across the whole range.
Programming: a warm-up or breakdown cut — early set or after a peak to reset the room.
Similar tempo
Within ±3 BPM of 180 — beatmatch without a big tempo pull.
More minimal
More from Julian Jeweil
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 180 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
