A Summer’s Empty Room
30s preview
- Key
- 7A · D minor
- BPM
- 178
- Half-time
- 89
- Open Key
- 12m
- Energy
- 44/100
- Pop
- 15/100
- Length
- 5:05
- Released
- 2022
- Genre
- Minimal
- Loudness
- -15.1 dB
- Dynamics
- 11.8 dB
- ISRC
- DEL022270017
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
A Summer’s Empty Room runs 178 BPM in D minor (7A), a minimal record. Tonally it lands dark and steady. The groove is loose and less beat-driven. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. The master keeps real dynamic headroom. The master keeps unusual dynamic range for club music (crest 12 dB). Faster than 97% of Trentemøller's catalogue. For programming, treat it as a warm-up or breakdown cut.
- Groove:
- less groove-driven than 86% of Trentemøller's catalogue
- Energy:
- calmer than 80% of Trentemøller's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 39%
- Low
- 30-130 Hz
- 33%
- Low-mid
- 130-570 Hz
- 21%
- Upper-mid
- 570 Hz-2.5 kHz
- 7%
- High
- 2.5-11 kHz
FAQ
What key is A Summer’s Empty Room in?
A Summer’s Empty Room by Trentemøller is in D minor, or 7A on the Camelot wheel.
What BPM is A Summer’s Empty Room?
A Summer’s Empty Room runs at 178 BPM.
What mixes well with A Summer’s Empty Room?
From 7A it blends harmonically with 8A, 7B, 6A. Moving to 8A lifts the energy a step.
Is A Summer’s Empty Room good for peak time?
With energy 44 out of 100 at 178 BPM, it works best as a warm-up or breakdown cut.
Mixes harmonically
7A → 6A · 8A · 7BFrom 7A, 8A (A minor) lifts the energy a step; 7B (F major) brightens to the relative major; 6A (G minor) cools the energy down a step.
How to mix it
In 7A at 178 BPM: 8A (A minor) — move to 8A to push the floor harder; 7B (F major) — switch to 7B for a mood change without losing the groove; 6A (G minor) — drop to 6A to bring the room down gently.
Pitch range at ±6%: 167-189 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 2A rather than 7A; below -5% it reads as 12A. With key lock on, it stays 7A across the whole range.
Programming: a warm-up or breakdown cut — early set or after a peak to reset the room.
Similar tempo
Within ±3 BPM of 178 — beatmatch without a big tempo pull.
More minimal
More from Trentemøller
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 178 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
