Logikal Nonsense
30s preview
- BPM
- 89
- Double-time
- 178
- Open Key
- 8m
- Energy
- 48/100
- Pop
- 7/100
- Length
- 1:11
- Released
- 2019
- Album
- Dimension Intrusion (25th Anniversary Edition)
- Genre
- Minimal
- Loudness
- -12.8 dB
- Dynamics
- 17.3 dB
- ISRC
- CAM261800165
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
At 89 BPM in B♭ minor (3A), Logikal Nonsense is a downtempo minimal production. Tonally it lands bright and easy. It is vocal-led. Spoken-word passages run through it. The master keeps real dynamic headroom. The master keeps unusual dynamic range for club music (crest 17 dB). Brighter than 98% of Richie Hawtin's catalogue. For programming, treat it as an opener or closing-set piece.
- Low end:
- more treble-tilted than 97% of Richie Hawtin's catalogue
- Tempo:
- slower than 94% of Richie Hawtin's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 21%
- Low
- 30-130 Hz
- 31%
- Low-mid
- 130-570 Hz
- 28%
- Upper-mid
- 570 Hz-2.5 kHz
- 20%
- High
- 2.5-11 kHz
FAQ
What key is Logikal Nonsense in?
Logikal Nonsense by Richie Hawtin is in B♭ minor, or 3A on the Camelot wheel.
What BPM is Logikal Nonsense?
Logikal Nonsense runs at 89 BPM, a downtempo track.
What mixes well with Logikal Nonsense?
From 3A it blends harmonically with 4A, 3B, 2A. Moving to 4A lifts the energy a step.
Is Logikal Nonsense good for peak time?
With energy 48 out of 100 at 89 BPM, it works best as an opener or closing-set piece.
Mixes harmonically
3A → 2A · 4A · 3BFrom 3A, 4A (F minor) lifts the energy a step; 3B (D♭ major) brightens to the relative major; 2A (E♭ minor) cools the energy down a step.
How to mix it
In 3A at 89 BPM: 4A (F minor) — move to 4A to push the floor harder; 3B (D♭ major) — switch to 3B for a mood change without losing the groove; 2A (E♭ minor) — drop to 2A to bring the room down gently.
Pitch range at ±6%: 84-94 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 10A rather than 3A; below -5% it reads as 8A. With key lock on, it stays 3A across the whole range.
Programming: an opener or closing-set piece.
Similar tempo
Within ±3 BPM of 89 — beatmatch without a big tempo pull.
More minimal
More from Richie Hawtin
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 89 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
