Weak In Your Light - Daniel Avery Remix
30s preview
- BPM
- 180
- Half-time
- 90
- Open Key
- 8d
- Energy
- 64/100
- Pop
- 21/100
- Length
- 4:13
- Released
- 2023
- Album
- Weak In Your Light (Daniel Avery Remix)
- Genre
- Ambient
- Loudness
- -12.2 dB
- Dynamics
- 12.1 dB
- ISRC
- GBENL2303628
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Weak In Your Light - Daniel Avery Remix is an ambient track in D♭ major (3B) at 180 BPM. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. The master keeps real dynamic headroom. The master keeps unusual dynamic range for club music (crest 12 dB). Faster than 99% of Daniel Avery's catalogue. In a set it works best as an opener or closing-set piece.
- Reach:
- better known than 87% of Daniel Avery's catalogue
- Brightness:
- brighter than 86% of Daniel Avery's catalogue
- Low end:
- more treble-tilted than 78% of Daniel Avery's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 35%
- Low
- 30-130 Hz
- 30%
- Low-mid
- 130-570 Hz
- 21%
- Upper-mid
- 570 Hz-2.5 kHz
- 13%
- High
- 2.5-11 kHz
FAQ
What key is Weak In Your Light - Daniel Avery Remix in?
Weak In Your Light - Daniel Avery Remix by Daniel Avery is in D♭ major, or 3B on the Camelot wheel.
What BPM is Weak In Your Light - Daniel Avery Remix?
Weak In Your Light - Daniel Avery Remix runs at 180 BPM.
What mixes well with Weak In Your Light - Daniel Avery Remix?
From 3B it blends harmonically with 4B, 3A, 2B. Moving to 4B lifts the energy a step.
Is Weak In Your Light - Daniel Avery Remix good for peak time?
With energy 64 out of 100 at 180 BPM, it works best as an opener or closing-set piece.
Mixes harmonically
3B → 2B · 4B · 3AFrom 3B, 4B (A♭ major) lifts the energy a step; 3A (B♭ minor) settles into the relative minor; 2B (F♯ major) cools the energy down a step.
How to mix it
In 3B at 180 BPM: 4B (A♭ major) — move to 4B to push the floor harder; 3A (B♭ minor) — switch to 3A for a mood change without losing the groove; 2B (F♯ major) — drop to 2B to bring the room down gently.
Pitch range at ±6%: 169-191 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 10B rather than 3B; below -5% it reads as 8B. With key lock on, it stays 3B across the whole range.
Programming: an opener or closing-set piece.
Similar tempo
Within ±3 BPM of 180 — beatmatch without a big tempo pull.
More ambient
More from Daniel Avery
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 180 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
