Everybody Loves The Sunshine - Original Mix
- BPM
- 175
- Half-time
- 88
- Open Key
- 4m
- Energy
- 97/100
- Pop
- 10/100
- Length
- 5:41
- Released
- 2009
- Album
- Heaven And Hell
- Genre
- Acid
- Loudness
- -4.2 dB
- ISRC
- USLZJ0905330
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
At 175 BPM in F♯ minor (11A), Everybody Loves The Sunshine - Original Mix is an acid production. The feel is bright and euphoric. The groove is loose and less beat-driven. The mix is almost entirely instrumental. The master is loud and heavily compressed. A 2009 production that still circulates in sets. Faster than 99% of Dax J's catalogue. In a set it works best as an opener or closing-set piece.
- Brightness:
- brighter than 99% of Dax J's catalogue
- Groove:
- less groove-driven than 93% of Dax J's catalogue
- Reach:
- better known than 83% of Dax J's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
FAQ
What key is Everybody Loves The Sunshine - Original Mix in?
Everybody Loves The Sunshine - Original Mix by Dax J is in F♯ minor, or 11A on the Camelot wheel.
What BPM is Everybody Loves The Sunshine - Original Mix?
Everybody Loves The Sunshine - Original Mix runs at 175 BPM.
What mixes well with Everybody Loves The Sunshine - Original Mix?
From 11A it blends harmonically with 12A, 11B, 10A. Moving to 12A lifts the energy a step.
Is Everybody Loves The Sunshine - Original Mix good for peak time?
With energy 97 out of 100 at 175 BPM, it works best as an opener or closing-set piece.
Mixes harmonically
11A → 10A · 12A · 11BFrom 11A, 12A (D♭ minor) lifts the energy a step; 11B (A major) brightens to the relative major; 10A (B minor) cools the energy down a step.
How to mix it
In 11A at 175 BPM: 12A (D♭ minor) — move to 12A to push the floor harder; 11B (A major) — switch to 11B for a mood change without losing the groove; 10A (B minor) — drop to 10A to bring the room down gently.
Pitch range at ±6%: 164-186 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 6A rather than 11A; below -5% it reads as 4A. With key lock on, it stays 11A across the whole range.
Programming: an opener or closing-set piece.
Similar tempo
Within ±3 BPM of 175 — beatmatch without a big tempo pull.
More acid
More from Dax J
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 175 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
