Todos Mis Sueños
- BPM
- 178
- Half-time
- 89
- Open Key
- 5d
- Energy
- 70/100
- Pop
- 0/100
- Length
- 3:48
- Released
- 2013
- Album
- Winx Club En Concierto
- Genre
- Acid
- Loudness
- -5.9 dB
- ISRC
- ITL091300008
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Todos Mis Sueños is an acid track in E major (12B) at 178 BPM. The feel is punchy, neutral in mood. It leans atmospheric over strictly danceable. It is vocal-led. A 2013 production that still circulates in sets. More underground than 99% of Josh Wink's catalogue. For programming, treat it as an opener or closing-set piece.
- Tempo:
- faster than 98% of Josh Wink's catalogue
- Groove:
- less groove-driven than 91% of Josh Wink's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
FAQ
What key is Todos Mis Sueños in?
Todos Mis Sueños by Josh Wink is in E major, or 12B on the Camelot wheel.
What BPM is Todos Mis Sueños?
Todos Mis Sueños runs at 178 BPM.
What mixes well with Todos Mis Sueños?
From 12B it blends harmonically with 1B, 12A, 11B. Moving to 1B lifts the energy a step.
Is Todos Mis Sueños good for peak time?
With energy 70 out of 100 at 178 BPM, it works best as an opener or closing-set piece.
Mixes harmonically
12B → 11B · 1B · 12AFrom 12B, 1B (B major) lifts the energy a step; 12A (D♭ minor) settles into the relative minor; 11B (A major) cools the energy down a step.
How to mix it
In 12B at 178 BPM: 1B (B major) — move to 1B to push the floor harder; 12A (D♭ minor) — switch to 12A for a mood change without losing the groove; 11B (A major) — drop to 11B to bring the room down gently.
Pitch range at ±6%: 167-189 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 7B rather than 12B; below -5% it reads as 5B. With key lock on, it stays 12B across the whole range.
Programming: an opener or closing-set piece.
Similar tempo
Within ±3 BPM of 178 — beatmatch without a big tempo pull.
More acid
More from Josh Wink
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 178 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
