Zwölfpunkt-Spargelkäfer - Audio Commentary
30s preview
- Key
- 4A · F minor
- BPM
- 44
- Double-time
- 88
- Open Key
- 9m
- Energy
- 33/100
- Pop
- 0/100
- Length
- 1:04
- Released
- 2019
- Album
- Mannigfaltig (Audio Commentary)
- Genre
- Minimal
- Loudness
- -20.5 dB
- Dynamics
- 16.6 dB
- ISRC
- DEG931912046
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- Zwölfpunkt-Spargelkäfer - Audiokommentaroriginal12A · 109
Zwölfpunkt-Spargelkäfer - Audio Commentary runs 44 BPM in F minor (4A), a minimal record. The feel is warm and mellow. The groove is strong and floor-ready. It is vocal-led. Spoken-word passages run through it. Its spectrum is centred in the low-mids, warm and bass-forward. The master keeps real dynamic headroom. The master keeps unusual dynamic range for club music (crest 17 dB). Slower than 99% of Dominik Eulberg's catalogue. For programming, treat it as a warm-up or breakdown cut.
- Reach:
- more underground than 99% of Dominik Eulberg's catalogue
- Brightness:
- brighter than 96% of Dominik Eulberg's catalogue
- Groove:
- groovier than 95% of Dominik Eulberg's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 31%
- Low
- 30-130 Hz
- 32%
- Low-mid
- 130-570 Hz
- 22%
- Upper-mid
- 570 Hz-2.5 kHz
- 15%
- High
- 2.5-11 kHz
FAQ
What key is Zwölfpunkt-Spargelkäfer - Audio Commentary in?
Zwölfpunkt-Spargelkäfer - Audio Commentary by Dominik Eulberg is in F minor, or 4A on the Camelot wheel.
What BPM is Zwölfpunkt-Spargelkäfer - Audio Commentary?
Zwölfpunkt-Spargelkäfer - Audio Commentary runs at 44 BPM.
What mixes well with Zwölfpunkt-Spargelkäfer - Audio Commentary?
From 4A it blends harmonically with 5A, 4B, 3A. Moving to 5A lifts the energy a step.
Is Zwölfpunkt-Spargelkäfer - Audio Commentary good for peak time?
With energy 33 out of 100 at 44 BPM, it works best as a warm-up or breakdown cut.
Mixes harmonically
4A → 3A · 5A · 4BFrom 4A, 5A (C minor) lifts the energy a step; 4B (A♭ major) brightens to the relative major; 3A (B♭ minor) cools the energy down a step.
How to mix it
In 4A at 44 BPM: 5A (C minor) — move to 5A to push the floor harder; 4B (A♭ major) — switch to 4B for a mood change without losing the groove; 3A (B♭ minor) — drop to 3A to bring the room down gently.
Pitch range at ±6%: 41-47 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 11A rather than 4A; below -5% it reads as 9A. With key lock on, it stays 4A across the whole range.
Programming: a warm-up or breakdown cut — early set or after a peak to reset the room.
Similar tempo
Within ±3 BPM of 44 — beatmatch without a big tempo pull.
More minimal
More from Dominik Eulberg
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 44 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
