The Plague (Cleansing Maneuvers)
30s preview
- BPM
- 90
- Double-time
- 180
- Open Key
- 8m
- Energy
- 28/100
- Pop
- 2/100
- Length
- 4:43
- Released
- 2010
- Genre
- Minimal
- Loudness
- -12.2 dB
- Dynamics
- 18.6 dB
- ISRC
- NLHD81000004
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
The Plague (Cleansing Maneuvers): slow-groove tempo minimal, B♭ minor (3A), 90 BPM. It reads as brooding and low-slung. It is vocal-led. Its spectrum is centred in the low-mids, warm and bass-forward. The master keeps real dynamic headroom. The master keeps unusual dynamic range for club music (crest 19 dB). A 2010 production that still circulates in sets. Calmer than 99% of Robert Hood's catalogue. For programming, treat it as a warm-up or breakdown cut.
- Tempo:
- slower than 98% of Robert Hood's catalogue
- Low end:
- more treble-tilted than 98% of Robert Hood's catalogue
- Groove:
- less groove-driven than 95% of Robert Hood's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 22%
- Low
- 30-130 Hz
- 34%
- Low-mid
- 130-570 Hz
- 24%
- Upper-mid
- 570 Hz-2.5 kHz
- 20%
- High
- 2.5-11 kHz
FAQ
What key is The Plague (Cleansing Maneuvers) in?
The Plague (Cleansing Maneuvers) by Robert Hood is in B♭ minor, or 3A on the Camelot wheel.
What BPM is The Plague (Cleansing Maneuvers)?
The Plague (Cleansing Maneuvers) runs at 90 BPM, a slow-groove tempo track.
What mixes well with The Plague (Cleansing Maneuvers)?
From 3A it blends harmonically with 4A, 3B, 2A. Moving to 4A lifts the energy a step.
Is The Plague (Cleansing Maneuvers) good for peak time?
With energy 28 out of 100 at 90 BPM, it works best as a warm-up or breakdown cut.
Mixes harmonically
3A → 2A · 4A · 3BFrom 3A, 4A (F minor) lifts the energy a step; 3B (D♭ major) brightens to the relative major; 2A (E♭ minor) cools the energy down a step.
How to mix it
In 3A at 90 BPM: 4A (F minor) — move to 4A to push the floor harder; 3B (D♭ major) — switch to 3B for a mood change without losing the groove; 2A (E♭ minor) — drop to 2A to bring the room down gently.
Pitch range at ±6%: 85-95 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 10A rather than 3A; below -5% it reads as 8A. With key lock on, it stays 3A across the whole range.
Programming: a warm-up or breakdown cut — early set or after a peak to reset the room.
Similar tempo
Within ±3 BPM of 90 — beatmatch without a big tempo pull.
More minimal
More from Robert Hood
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 90 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
