Circular by Max Cooper cover art

Circular

Max Cooper

Key
2B · F♯ major
BPM
181
Half-time
91
Open Key
7d
Energy
24/100
Pop
24/100
Length
4:34
Released
2019
Genre
Ambient
Loudness
-21.3 dB

Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026

An ambient cut, Circular sits in F♯ major (2B) at 181 BPM. The groove is loose and less beat-driven. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. The master keeps real dynamic headroom. Faster than 99% of Max Cooper's catalogue.

Groove:
less groove-driven than 95% of Max Cooper's catalogue
Energy:
calmer than 90% of Max Cooper's catalogue
Brightness:
darker than 90% of Max Cooper's catalogue

Sonic profile

EnergyGrooveMoodOrganicInstr.LiveTempo
Energy24
Mood4Dark
Groove15
Acoustic80
Instrumental91
Live10
Speech8
darkrelaxedinstrumental

Frequency spectrum

amplitude · bass → treble

FAQ

What key is Circular in?

Circular by Max Cooper is in F♯ major, or 2B on the Camelot wheel.

What BPM is Circular?

Circular runs at 181 BPM.

What mixes well with Circular?

From 2B it blends harmonically with 3B, 2A, 1B. Moving to 3B lifts the energy a step.

Is Circular good for peak time?

With energy 24 out of 100 at 181 BPM, it works best as a warm-up or breakdown cut.

Mixes harmonically

2B1B · 3B · 2A

From 2B, 3B (D♭ major) lifts the energy a step; 2A (E♭ minor) settles into the relative minor; 1B (B major) cools the energy down a step.

#Track

Every move from 2B

3BSimple Mix Upper
1BSimple Mix Downer
2ATonal Shift·
3ADiagonal Mix Upper
1ADiagonal Mix Downer
5ACompatible Tone·
4BHigh Energy Boost▲▲▲
12BHigh Energy Drain▼▼▼
5BParallel Key Upper▲▲
11BParallel Key Downer▼▼
9BTritone Jump▲▲
6BRelated Keyrisky

How to mix it

In 2B at 181 BPM: 3B (D♭ major) — move to 3B to push the floor harder; 2A (E♭ minor) — switch to 2A for a mood change without losing the groove; 1B (B major) — drop to 1B to bring the room down gently.

Pitch range at ±6%: 170-192 BPM — anything in that window beatmatches without sounding stretched.

Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 9B rather than 2B; below -5% it reads as 7B. With key lock on, it stays 2B across the whole range.

Programming: a warm-up or breakdown cut — early set or after a peak to reset the room.

Similar tempo

Within ±3 BPM of 181 — beatmatch without a big tempo pull.

#Track

More ambient

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Full profile
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Other recommendations

Beyond strict key and genre matches: tracks that still sit in beatmatch range of 181 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.

#Track