
Haegt, kemur ljosith
30s preview
- Key
- 8B · C major
- BPM
- 93
- Double-time
- 186
- Open Key
- 1d
- Energy
- 27/100
- Pop
- 1/100
- Length
- 5:34
- Released
- 2010
- Album
- ...and they have escaped the weight of darkness
- Genre
- Ambient
- Label
- Erased Tapes Records
- Loudness
- -14.2 dB
- Dynamics
- 18.7 dB
- ISRC
- GBWZD1002207
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
A slow-groove tempo ambient cut, Haegt, kemur ljosith sits in C major (8B) at 93 BPM. The feel is brooding and low-slung. The groove is loose and less beat-driven. The mix is almost entirely instrumental. Its spectrum is centred in the low-mids, warm and bass-forward. The master keeps real dynamic headroom. The master keeps unusual dynamic range for club music (crest 19 dB). A 2010 production that still circulates in sets. Hotter than 78% of Olafur Arnalds's catalogue. In a set it works best as a warm-up or breakdown cut.
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 32%
- Low
- 30-130 Hz
- 33%
- Low-mid
- 130-570 Hz
- 25%
- Upper-mid
- 570 Hz-2.5 kHz
- 9%
- High
- 2.5-11 kHz
FAQ
What key is Haegt, kemur ljosith in?
Haegt, kemur ljosith by Olafur Arnalds is in C major, or 8B on the Camelot wheel.
What BPM is Haegt, kemur ljosith?
Haegt, kemur ljosith runs at 93 BPM, a slow-groove tempo track.
What mixes well with Haegt, kemur ljosith?
From 8B it blends harmonically with 9B, 8A, 7B. Moving to 9B lifts the energy a step.
Is Haegt, kemur ljosith good for peak time?
With energy 27 out of 100 at 93 BPM, it works best as a warm-up or breakdown cut.
Mixes harmonically
8B → 7B · 9B · 8AFrom 8B, 9B (G major) lifts the energy a step; 8A (A minor) settles into the relative minor; 7B (F major) cools the energy down a step.
How to mix it
In 8B at 93 BPM: 9B (G major) — move to 9B to push the floor harder; 8A (A minor) — switch to 8A for a mood change without losing the groove; 7B (F major) — drop to 7B to bring the room down gently.
Pitch range at ±6%: 87-99 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 3B rather than 8B; below -5% it reads as 1B. With key lock on, it stays 8B across the whole range.
Programming: a warm-up or breakdown cut — early set or after a peak to reset the room.
Similar tempo
Within ±3 BPM of 93 — beatmatch without a big tempo pull.
More ambient
More from Olafur Arnalds
Full profileOther recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 93 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.