Absence
30s preview
- Key
- 9B · G major
- BPM
- 92
- Double-time
- 184
- Open Key
- 2d
- Energy
- 28/100
- Pop
- 20/100
- Length
- 3:07
- Released
- 2026
- Genre
- Techno
- Label
- NINETOZERO
- Loudness
- -10.4 dB
- Dynamics
- 8.7 dB
- ISRC
- BE4JP2692002
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
A slow-groove tempo techno cut, Absence sits in G major (9B) at 92 BPM. The feel is brooding and low-slung. It leans atmospheric over strictly danceable. It is vocal-led. Its spectrum is weighted to the sub and kick, with a heavy low end. The master keeps real dynamic headroom. Calmer than 99% of Enrico Sangiuliano's catalogue. For programming, treat it as a warm-up or breakdown cut.
- Tempo:
- slower than 99% of Enrico Sangiuliano's catalogue
- Groove:
- less groove-driven than 97% of Enrico Sangiuliano's catalogue
- Low end:
- more bass-heavy than 82% of Enrico Sangiuliano's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 44%
- Low
- 30-130 Hz
- 32%
- Low-mid
- 130-570 Hz
- 18%
- Upper-mid
- 570 Hz-2.5 kHz
- 6%
- High
- 2.5-11 kHz
FAQ
What key is Absence in?
Absence by Enrico Sangiuliano is in G major, or 9B on the Camelot wheel.
What BPM is Absence?
Absence runs at 92 BPM, a slow-groove tempo track.
What mixes well with Absence?
From 9B it blends harmonically with 10B, 9A, 8B. Moving to 10B lifts the energy a step.
Is Absence good for peak time?
With energy 28 out of 100 at 92 BPM, it works best as a warm-up or breakdown cut.
Mixes harmonically
9B → 8B · 10B · 9AFrom 9B, 10B (D major) lifts the energy a step; 9A (E minor) settles into the relative minor; 8B (C major) cools the energy down a step.
How to mix it
In 9B at 92 BPM: 10B (D major) — move to 10B to push the floor harder; 9A (E minor) — switch to 9A for a mood change without losing the groove; 8B (C major) — drop to 8B to bring the room down gently.
Pitch range at ±6%: 86-98 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 4B rather than 9B; below -5% it reads as 2B. With key lock on, it stays 9B across the whole range.
Programming: a warm-up or breakdown cut — early set or after a peak to reset the room.
Similar tempo
Within ±3 BPM of 92 — beatmatch without a big tempo pull.
More techno
More from Enrico Sangiuliano
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 92 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
