Young and Innocent Days (2019 Remaster)
30s preview
- Key
- 8B · C major
- BPM
- 95
- Double-time
- 190
- Open Key
- 1d
- Energy
- 24/100
- Pop
- 23/100
- Length
- 3:22
- Released
- 1969
- Album
- Arthur or the Decline and Fall of the British Empire (2019 Remaster)
- Genre
- Techno
- Loudness
- -13.9 dB
- Dynamics
- 14.7 dB
- ISRC
- GB5KW1902402
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- Young and Innocent Days - Mono Mixoriginal8B · 93
A slow-groove tempo techno cut, Young and Innocent Days (2019 Remaster) sits in C major (8B) at 95 BPM. The groove is loose and less beat-driven. It is vocal-led. The master keeps real dynamic headroom. The master keeps unusual dynamic range for club music (crest 15 dB). A 1969 production that still circulates in sets. Calmer than 97% of Kink's catalogue. In a set it works best as a warm-up or breakdown cut.
- Brightness:
- darker than 96% of Kink's catalogue
- Reach:
- better known than 96% of Kink's catalogue
- Tempo:
- slower than 89% of Kink's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 28%
- Low
- 30-130 Hz
- 32%
- Low-mid
- 130-570 Hz
- 24%
- Upper-mid
- 570 Hz-2.5 kHz
- 16%
- High
- 2.5-11 kHz
FAQ
What key is Young and Innocent Days (2019 Remaster) in?
Young and Innocent Days (2019 Remaster) by Kink is in C major, or 8B on the Camelot wheel.
What BPM is Young and Innocent Days (2019 Remaster)?
Young and Innocent Days (2019 Remaster) runs at 95 BPM, a slow-groove tempo track.
What mixes well with Young and Innocent Days (2019 Remaster)?
From 8B it blends harmonically with 9B, 8A, 7B. Moving to 9B lifts the energy a step.
Is Young and Innocent Days (2019 Remaster) good for peak time?
With energy 24 out of 100 at 95 BPM, it works best as a warm-up or breakdown cut.
Mixes harmonically
8B → 7B · 9B · 8AFrom 8B, 9B (G major) lifts the energy a step; 8A (A minor) settles into the relative minor; 7B (F major) cools the energy down a step.
How to mix it
In 8B at 95 BPM: 9B (G major) — move to 9B to push the floor harder; 8A (A minor) — switch to 8A for a mood change without losing the groove; 7B (F major) — drop to 7B to bring the room down gently.
Pitch range at ±6%: 89-101 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 3B rather than 8B; below -5% it reads as 1B. With key lock on, it stays 8B across the whole range.
Programming: a warm-up or breakdown cut — early set or after a peak to reset the room.
Similar tempo
Within ±3 BPM of 95 — beatmatch without a big tempo pull.
More techno
More from Kink
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 95 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
