Bukan Niat Membalas Derita
30s preview
- Key
- 9A · E minor
- BPM
- 100
- Double-time
- 200
- Open Key
- 2m
- Energy
- 24/100
- Pop
- 21/100
- Length
- 5:41
- Released
- 2015
- Album
- Kesan Terbukti
- Genre
- House
- Label
- Johan Sound Production
- Loudness
- -13.7 dB
- Dynamics
- 15.5 dB
- ISRC
- MYUM71200080
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Bukan Niat Membalas Derita: slow-groove tempo house, E minor (9A), 100 BPM. It is vocal-led. Its spectrum is centred in the low-mids, warm and bass-forward. The master keeps real dynamic headroom. The master keeps unusual dynamic range for club music (crest 16 dB). A 2015 production that still circulates in sets. Calmer than 99% of Slam's catalogue.
- Brightness:
- darker than 91% of Slam's catalogue
- Tempo:
- slower than 87% of Slam's catalogue
- Low end:
- more treble-tilted than 87% of Slam's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 28%
- Low
- 30-130 Hz
- 33%
- Low-mid
- 130-570 Hz
- 24%
- Upper-mid
- 570 Hz-2.5 kHz
- 14%
- High
- 2.5-11 kHz
FAQ
What key is Bukan Niat Membalas Derita in?
Bukan Niat Membalas Derita by Slam is in E minor, or 9A on the Camelot wheel.
What BPM is Bukan Niat Membalas Derita?
Bukan Niat Membalas Derita runs at 100 BPM, a slow-groove tempo track.
What mixes well with Bukan Niat Membalas Derita?
From 9A it blends harmonically with 10A, 9B, 8A. Moving to 10A lifts the energy a step.
Is Bukan Niat Membalas Derita good for peak time?
With energy 24 out of 100 at 100 BPM, it works best as a warm-up or breakdown cut.
Mixes harmonically
9A → 8A · 10A · 9BFrom 9A, 10A (B minor) lifts the energy a step; 9B (G major) brightens to the relative major; 8A (A minor) cools the energy down a step.
How to mix it
In 9A at 100 BPM: 10A (B minor) — move to 10A to push the floor harder; 9B (G major) — switch to 9B for a mood change without losing the groove; 8A (A minor) — drop to 8A to bring the room down gently.
Pitch range at ±6%: 94-106 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 4A rather than 9A; below -5% it reads as 2A. With key lock on, it stays 9A across the whole range.
Programming: a warm-up or breakdown cut — early set or after a peak to reset the room.
Similar tempo
Within ±3 BPM of 100 — beatmatch without a big tempo pull.
More house
More from Slam
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 100 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
