Girl, Slow Down - Original Mix
30s preview
- BPM
- 100
- Double-time
- 200
- Open Key
- 9d
- Energy
- 41/100
- Pop
- 0/100
- Length
- 6:14
- Released
- 2011
- Album
- Something We All Adore
- Genre
- House
- Label
- Supernature
- Loudness
- -11.6 dB
- Dynamics
- 12.1 dB
- ISRC
- GBTVG1000141
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- Girl, Slow Downoriginal4B · 100
At 100 BPM in A♭ major (4B), Girl, Slow Down - Original Mix is a slow-groove tempo house production. It reads as bright and easy. Rhythmically it is built for the dancefloor. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. The master keeps real dynamic headroom. The master keeps unusual dynamic range for club music (crest 12 dB). A 2011 production that still circulates in sets. Slower than 99% of Solomun's catalogue. In a set it works best as a warm-up or breakdown cut.
- Reach:
- more underground than 99% of Solomun's catalogue
- Energy:
- calmer than 94% of Solomun's catalogue
- Brightness:
- brighter than 91% of Solomun's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 46%
- Low
- 30-130 Hz
- 27%
- Low-mid
- 130-570 Hz
- 16%
- Upper-mid
- 570 Hz-2.5 kHz
- 12%
- High
- 2.5-11 kHz
FAQ
What key is Girl, Slow Down - Original Mix in?
Girl, Slow Down - Original Mix by Solomun is in A♭ major, or 4B on the Camelot wheel.
What BPM is Girl, Slow Down - Original Mix?
Girl, Slow Down - Original Mix runs at 100 BPM, a slow-groove tempo track.
What mixes well with Girl, Slow Down - Original Mix?
From 4B it blends harmonically with 5B, 4A, 3B. Moving to 5B lifts the energy a step.
Is Girl, Slow Down - Original Mix good for peak time?
With energy 41 out of 100 at 100 BPM, it works best as a warm-up or breakdown cut.
Mixes harmonically
4B → 3B · 5B · 4AFrom 4B, 5B (E♭ major) lifts the energy a step; 4A (F minor) settles into the relative minor; 3B (D♭ major) cools the energy down a step.
How to mix it
In 4B at 100 BPM: 5B (E♭ major) — move to 5B to push the floor harder; 4A (F minor) — switch to 4A for a mood change without losing the groove; 3B (D♭ major) — drop to 3B to bring the room down gently.
Pitch range at ±6%: 94-106 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 11B rather than 4B; below -5% it reads as 9B. With key lock on, it stays 4B across the whole range.
Programming: a warm-up or breakdown cut — early set or after a peak to reset the room.
Similar tempo
Within ±3 BPM of 100 — beatmatch without a big tempo pull.
More house
More from Solomun
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 100 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
