Don P. Tostones (Interlude)
30s preview
- BPM
- 194
- Half-time
- 97
- Open Key
- 8d
- Energy
- 75/100
- Pop
- 0/100
- Length
- 1:13
- Released
- 2014
- Album
- Sunday Service
- Genre
- House
- Loudness
- -9.9 dB
- Dynamics
- 12.8 dB
- ISRC
- QMDA72125052
- Explicit
- Yes
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
At 194 BPM in D♭ major (3B), Don P. Tostones (Interlude) is a house production. Its spectrum is weighted to the sub and kick, with a heavy low end. The master keeps unusual dynamic range for club music (crest 13 dB). A 2014 production that still circulates in sets. Faster than 99% of The Martinez Brothers's catalogue. In a set it works best as an opener or closing-set piece.
- Reach:
- more underground than 99% of The Martinez Brothers's catalogue
- Groove:
- less groove-driven than 96% of The Martinez Brothers's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 35%
- Low
- 30-130 Hz
- 29%
- Low-mid
- 130-570 Hz
- 23%
- Upper-mid
- 570 Hz-2.5 kHz
- 13%
- High
- 2.5-11 kHz
FAQ
What key is Don P. Tostones (Interlude) in?
Don P. Tostones (Interlude) by The Martinez Brothers is in D♭ major, or 3B on the Camelot wheel.
What BPM is Don P. Tostones (Interlude)?
Don P. Tostones (Interlude) runs at 194 BPM.
What mixes well with Don P. Tostones (Interlude)?
From 3B it blends harmonically with 4B, 3A, 2B. Moving to 4B lifts the energy a step.
Is Don P. Tostones (Interlude) good for peak time?
With energy 75 out of 100 at 194 BPM, it works best as an opener or closing-set piece.
Mixes harmonically
3B → 2B · 4B · 3AFrom 3B, 4B (A♭ major) lifts the energy a step; 3A (B♭ minor) settles into the relative minor; 2B (F♯ major) cools the energy down a step.
How to mix it
In 3B at 194 BPM: 4B (A♭ major) — move to 4B to push the floor harder; 3A (B♭ minor) — switch to 3A for a mood change without losing the groove; 2B (F♯ major) — drop to 2B to bring the room down gently.
Pitch range at ±6%: 182-206 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 10B rather than 3B; below -5% it reads as 8B. With key lock on, it stays 3B across the whole range.
Programming: an opener or closing-set piece.
Similar tempo
Within ±3 BPM of 194 — beatmatch without a big tempo pull.
More house
More from The Martinez Brothers
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 194 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
