Acceptance
30s preview
- BPM
- 192
- Half-time
- 96
- Open Key
- 5m
- Energy
- 48/100
- Pop
- 3/100
- Length
- 6:08
- Released
- 2018
- Genre
- Techno
- Label
- Semantica Records
- Loudness
- -13.9 dB
- Dynamics
- 11.2 dB
- ISRC
- NLCK41052280
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
At 192 BPM in D♭ minor (12A), Acceptance is a techno production. Spoken-word passages run through it. Its spectrum is weighted to the sub and kick, with a heavy low end. The master keeps real dynamic headroom. The master keeps unusual dynamic range for club music (crest 11 dB). A 2018 production that still circulates in sets. Faster than 98% of Oscar Mulero's catalogue. In a set it works best as an opener or closing-set piece.
- Energy:
- calmer than 94% of Oscar Mulero's catalogue
- Groove:
- less groove-driven than 88% of Oscar Mulero's catalogue
- Low end:
- more bass-heavy than 79% of Oscar Mulero's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 47%
- Low
- 30-130 Hz
- 28%
- Low-mid
- 130-570 Hz
- 20%
- Upper-mid
- 570 Hz-2.5 kHz
- 5%
- High
- 2.5-11 kHz
FAQ
What key is Acceptance in?
Acceptance by Oscar Mulero is in D♭ minor, or 12A on the Camelot wheel.
What BPM is Acceptance?
Acceptance runs at 192 BPM.
What mixes well with Acceptance?
From 12A it blends harmonically with 1A, 12B, 11A. Moving to 1A lifts the energy a step.
Is Acceptance good for peak time?
With energy 48 out of 100 at 192 BPM, it works best as an opener or closing-set piece.
Mixes harmonically
12A → 11A · 1A · 12BFrom 12A, 1A (A♭ minor) lifts the energy a step; 12B (E major) brightens to the relative major; 11A (F♯ minor) cools the energy down a step.
How to mix it
In 12A at 192 BPM: 1A (A♭ minor) — move to 1A to push the floor harder; 12B (E major) — switch to 12B for a mood change without losing the groove; 11A (F♯ minor) — drop to 11A to bring the room down gently.
Pitch range at ±6%: 180-204 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 7A rather than 12A; below -5% it reads as 5A. With key lock on, it stays 12A across the whole range.
Programming: an opener or closing-set piece.
Similar tempo
Within ±3 BPM of 192 — beatmatch without a big tempo pull.
More techno
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Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 192 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
