La Mer II. - Jeux De Vague - Allegro by Marc Romboy cover art

La Mer II. - Jeux De Vague - Allegro

Marc Romboy

30s preview

Key
1A · A♭ minor
BPM
100
Double-time
200
Open Key
6m
Energy
46/100
Pop
2/100
Length
17:34
Released
2017
Album
Reconstructing Debussy
Genre
Ambient
Label
Hyperharmonic
Loudness
-13.0 dB
Dynamics
25.6 dB
ISRC
DEU671701597

Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026

La Mer II. - Jeux De Vague - Allegro: slow-groove tempo ambient, A♭ minor (1A), 100 BPM. The groove is loose and less beat-driven. The mix is almost entirely instrumental. Its spectrum is centred in the low-mids, warm and bass-forward. The master keeps real dynamic headroom. The master keeps unusual dynamic range for club music (crest 26 dB). A 2017 production that still circulates in sets. Slower than 98% of Marc Romboy's catalogue.

Brightness:
darker than 95% of Marc Romboy's catalogue
Groove:
less groove-driven than 92% of Marc Romboy's catalogue
Low end:
more treble-tilted than 87% of Marc Romboy's catalogue

Sonic profile

EnergyGrooveMoodOrganicInstr.LiveTempo
Energy46
Mood4Dark
Groove42
Acoustic64
Instrumental83
Live32
Speech5

Frequency spectrum

amplitude · bass → treble

601252505001k2k4k8k
34%
Low
30-130 Hz
36%
Low-mid
130-570 Hz
23%
Upper-mid
570 Hz-2.5 kHz
8%
High
2.5-11 kHz

FAQ

What key is La Mer II. - Jeux De Vague - Allegro in?

La Mer II. - Jeux De Vague - Allegro by Marc Romboy is in A♭ minor, or 1A on the Camelot wheel.

What BPM is La Mer II. - Jeux De Vague - Allegro?

La Mer II. - Jeux De Vague - Allegro runs at 100 BPM, a slow-groove tempo track.

What mixes well with La Mer II. - Jeux De Vague - Allegro?

From 1A it blends harmonically with 2A, 1B, 12A. Moving to 2A lifts the energy a step.

Is La Mer II. - Jeux De Vague - Allegro good for peak time?

With energy 46 out of 100 at 100 BPM, it works best as a mid-set roller.

Mixes harmonically

1A12A · 2A · 1B

From 1A, 2A (E♭ minor) lifts the energy a step; 1B (B major) brightens to the relative major; 12A (D♭ minor) cools the energy down a step.

Every move from 1A

2ASimple Mix Upper
12ASimple Mix Downer
1BTonal Shift·
2BDiagonal Mix Upper
12BDiagonal Mix Downer
10BCompatible Tone·
3AHigh Energy Boost▲▲▲
11AHigh Energy Drain▼▼▼
4AParallel Key Upper▲▲
10AParallel Key Downer▼▼
8ATritone Jump▲▲
5ARelated Keyrisky

How to mix it

In 1A at 100 BPM: 2A (E♭ minor) — move to 2A to push the floor harder; 1B (B major) — switch to 1B for a mood change without losing the groove; 12A (D♭ minor) — drop to 12A to bring the room down gently.

Pitch range at ±6%: 94-106 BPM — anything in that window beatmatches without sounding stretched.

Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 8A rather than 1A; below -5% it reads as 6A. With key lock on, it stays 1A across the whole range.

Programming: a mid-set roller.

Similar tempo

Within ±3 BPM of 100 — beatmatch without a big tempo pull.

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Other recommendations

Beyond strict key and genre matches: tracks that still sit in beatmatch range of 100 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.

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