Flying Between the Clusters of Trees Without Buoyoant, Floating Wing Beats
30s preview
- BPM
- 100
- Double-time
- 200
- Open Key
- 8m
- Energy
- 29/100
- Pop
- 0/100
- Length
- 6:16
- Released
- 2020
- Genre
- Ambient
- Loudness
- -9.9 dB
- Dynamics
- 9.8 dB
- ISRC
- DEYS32010102
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Flying Between the Clusters of Trees Without Buoyoant, Floating Wing Beats is a slow-groove tempo ambient track in B♭ minor (3A) at 100 BPM. The feel is brooding and low-slung. The groove is loose and less beat-driven. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. Darker than 99% of Rodhad's catalogue.
- Reach:
- more underground than 99% of Rodhad's catalogue
- Groove:
- less groove-driven than 96% of Rodhad's catalogue
- Energy:
- calmer than 92% of Rodhad's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 48%
- Low
- 30-130 Hz
- 37%
- Low-mid
- 130-570 Hz
- 15%
- Upper-mid
- 570 Hz-2.5 kHz
- 0%
- High
- 2.5-11 kHz
FAQ
What key is Flying Between the Clusters of Trees Without Buoyoant, Floating Wing Beats in?
Flying Between the Clusters of Trees Without Buoyoant, Floating Wing Beats by Rodhad is in B♭ minor, or 3A on the Camelot wheel.
What BPM is Flying Between the Clusters of Trees Without Buoyoant, Floating Wing Beats?
Flying Between the Clusters of Trees Without Buoyoant, Floating Wing Beats runs at 100 BPM, a slow-groove tempo track.
What mixes well with Flying Between the Clusters of Trees Without Buoyoant, Floating Wing Beats?
From 3A it blends harmonically with 4A, 3B, 2A. Moving to 4A lifts the energy a step.
Is Flying Between the Clusters of Trees Without Buoyoant, Floating Wing Beats good for peak time?
With energy 29 out of 100 at 100 BPM, it works best as a warm-up or breakdown cut.
Mixes harmonically
3A → 2A · 4A · 3BFrom 3A, 4A (F minor) lifts the energy a step; 3B (D♭ major) brightens to the relative major; 2A (E♭ minor) cools the energy down a step.
How to mix it
In 3A at 100 BPM: 4A (F minor) — move to 4A to push the floor harder; 3B (D♭ major) — switch to 3B for a mood change without losing the groove; 2A (E♭ minor) — drop to 2A to bring the room down gently.
Pitch range at ±6%: 94-106 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 10A rather than 3A; below -5% it reads as 8A. With key lock on, it stays 3A across the whole range.
Programming: a warm-up or breakdown cut — early set or after a peak to reset the room.
Similar tempo
Within ±3 BPM of 100 — beatmatch without a big tempo pull.
More ambient
More from Rodhad
Full profile![MAUVIER 02 [250331.1] by Rodhad cover art](https://i.scdn.co/image/ab67616d00001e02107ffe6ff25bb4dcec2bdd1c){kind=small}
![KINVA 01 [240209.2] by Rodhad cover art](https://qzoszznbkkwwjtagnyok.supabase.co/storage/v1/object/public/dj-covers/0a95c61b0ea427601fbd.webp){kind=small}
![LAVANDE 01 [240107.2] by Rodhad cover art](https://qzoszznbkkwwjtagnyok.supabase.co/storage/v1/object/public/dj-covers/8844edc0e6edc71906f0.webp){kind=small}
![LAVANDE 03 [240106] by Rodhad cover art](https://i.scdn.co/image/ab67616d00001e02aa813d8bd1386bdb25233c0d){kind=small}
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 100 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
