Falling InDeep
30s preview
- BPM
- 180
- Half-time
- 90
- Open Key
- 9d
- Energy
- 30/100
- Pop
- 0/100
- Length
- 4:27
- Released
- 2014
- Album
- HEAR.FEEL.HEAL.REPEAT EP
- Genre
- Ambient
- Loudness
- -17.5 dB
- Dynamics
- 12.1 dB
- ISRC
- GBEF91220244
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Falling InDeep runs 180 BPM in A♭ major (4B), an ambient record. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. The master keeps real dynamic headroom. The master keeps unusual dynamic range for club music (crest 12 dB). A 2014 production that still circulates in sets. Faster than 99% of Öona Dahl's catalogue. In a set it works best as a warm-up or breakdown cut.
- Reach:
- more underground than 99% of Öona Dahl's catalogue
- Brightness:
- brighter than 95% of Öona Dahl's catalogue
- Energy:
- calmer than 91% of Öona Dahl's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 40%
- Low
- 30-130 Hz
- 30%
- Low-mid
- 130-570 Hz
- 19%
- Upper-mid
- 570 Hz-2.5 kHz
- 11%
- High
- 2.5-11 kHz
FAQ
What key is Falling InDeep in?
Falling InDeep by Öona Dahl is in A♭ major, or 4B on the Camelot wheel.
What BPM is Falling InDeep?
Falling InDeep runs at 180 BPM.
What mixes well with Falling InDeep?
From 4B it blends harmonically with 5B, 4A, 3B. Moving to 5B lifts the energy a step.
Is Falling InDeep good for peak time?
With energy 30 out of 100 at 180 BPM, it works best as a warm-up or breakdown cut.
Mixes harmonically
4B → 3B · 5B · 4AFrom 4B, 5B (E♭ major) lifts the energy a step; 4A (F minor) settles into the relative minor; 3B (D♭ major) cools the energy down a step.
How to mix it
In 4B at 180 BPM: 5B (E♭ major) — move to 5B to push the floor harder; 4A (F minor) — switch to 4A for a mood change without losing the groove; 3B (D♭ major) — drop to 3B to bring the room down gently.
Pitch range at ±6%: 169-191 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 11B rather than 4B; below -5% it reads as 9B. With key lock on, it stays 4B across the whole range.
Programming: a warm-up or breakdown cut — early set or after a peak to reset the room.
Similar tempo
Within ±3 BPM of 180 — beatmatch without a big tempo pull.
More ambient
More from Öona Dahl
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 180 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
