Mr Tiddles
30s preview
- BPM
- 90
- Double-time
- 180
- Open Key
- 3d
- Energy
- 50/100
- Pop
- 23/100
- Length
- 4:54
- Released
- 2002
- Genre
- Downtempo
- Label
- Not On Label
- Loudness
- -13.8 dB
- Dynamics
- 14.5 dB
- ISRC
- GBARL0200135
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
A slow-groove tempo downtempo cut, Mr Tiddles sits in D major (10B) at 90 BPM. It reads as dark and steady. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. The master keeps real dynamic headroom. The master keeps unusual dynamic range for club music (crest 15 dB). A 2002 production that still circulates in sets. Slower than 98% of Sasha's catalogue. In a set it works best as an opener or closing-set piece.
- Reach:
- better known than 89% of Sasha's catalogue
- Energy:
- calmer than 80% of Sasha's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 39%
- Low
- 30-130 Hz
- 34%
- Low-mid
- 130-570 Hz
- 23%
- Upper-mid
- 570 Hz-2.5 kHz
- 4%
- High
- 2.5-11 kHz
FAQ
What key is Mr Tiddles in?
Mr Tiddles by Sasha is in D major, or 10B on the Camelot wheel.
What BPM is Mr Tiddles?
Mr Tiddles runs at 90 BPM, a slow-groove tempo track.
What mixes well with Mr Tiddles?
From 10B it blends harmonically with 11B, 10A, 9B. Moving to 11B lifts the energy a step.
Is Mr Tiddles good for peak time?
With energy 50 out of 100 at 90 BPM, it works best as an opener or closing-set piece.
Mixes harmonically
10B → 9B · 11B · 10AFrom 10B, 11B (A major) lifts the energy a step; 10A (B minor) settles into the relative minor; 9B (G major) cools the energy down a step.
How to mix it
In 10B at 90 BPM: 11B (A major) — move to 11B to push the floor harder; 10A (B minor) — switch to 10A for a mood change without losing the groove; 9B (G major) — drop to 9B to bring the room down gently.
Pitch range at ±6%: 85-95 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 5B rather than 10B; below -5% it reads as 3B. With key lock on, it stays 10B across the whole range.
Programming: an opener or closing-set piece.
Similar tempo
Within ±3 BPM of 90 — beatmatch without a big tempo pull.
More downtempo
More from Sasha
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 90 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
