Let the Light In by Öona Dahl cover art

Let the Light In

Öona Dahl

Key
3B · D♭ major
BPM
122
Open Key
8d
Energy
65/100
Pop
10/100
Length
7:56
Released
2016
Genre
Deep House
Label
All Day I Dream
Loudness
-11.3 dB

Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026

Other versions

A club-tempo deep house cut, Let the Light In sits in D♭ major (3B) at 122 BPM. The feel is punchy, neutral in mood. The mix is almost entirely instrumental. The master keeps real dynamic headroom. A 2016 production that still circulates in sets. Better known than 90% of Öona Dahl's catalogue.

Groove:
groovier than 78% of Öona Dahl's catalogue
Brightness:
brighter than 76% of Öona Dahl's catalogue

Sonic profile

EnergyGrooveMoodOrganicInstr.LiveTempo
Energy65
Mood46Balanced
Groove75
Acoustic1
Instrumental87
Live35
Speech8

Frequency spectrum

amplitude · bass → treble

FAQ

What key is Let the Light In in?

Let the Light In by Öona Dahl is in D♭ major, or 3B on the Camelot wheel.

What BPM is Let the Light In?

Let the Light In runs at 122 BPM, a club-tempo track.

What mixes well with Let the Light In?

From 3B it blends harmonically with 4B, 3A, 2B. Moving to 4B lifts the energy a step.

Is Let the Light In good for peak time?

With energy 65 out of 100 at 122 BPM, it works best as a mid-set roller.

Mixes harmonically

3B2B · 4B · 3A

From 3B, 4B (A♭ major) lifts the energy a step; 3A (B♭ minor) settles into the relative minor; 2B (F♯ major) cools the energy down a step.

#Track

Every move from 3B

4BSimple Mix Upper
2BSimple Mix Downer
3ATonal Shift·
4ADiagonal Mix Upper
2ADiagonal Mix Downer
6ACompatible Tone·
5BHigh Energy Boost▲▲▲
1BHigh Energy Drain▼▼▼
6BParallel Key Upper▲▲
12BParallel Key Downer▼▼
10BTritone Jump▲▲
7BRelated Keyrisky

How to mix it

In 3B at 122 BPM: 4B (A♭ major) — move to 4B to push the floor harder; 3A (B♭ minor) — switch to 3A for a mood change without losing the groove; 2B (F♯ major) — drop to 2B to bring the room down gently.

Pitch range at ±6%: 115-129 BPM — anything in that window beatmatches without sounding stretched.

Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 10B rather than 3B; below -5% it reads as 8B. With key lock on, it stays 3B across the whole range.

Programming: a mid-set roller.

Similar tempo

Within ±3 BPM of 122 — beatmatch without a big tempo pull.

More deep house

More from Öona Dahl

Full profile

Other recommendations

Beyond strict key and genre matches: tracks that still sit in beatmatch range of 122 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.

#Track