Judgement Day - Madloch Remix
30s preview
- Key
- 9A · E minor
- BPM
- 122
- Open Key
- 2m
- Energy
- 66/100
- Pop
- 0/100
- Length
- 7:29
- Released
- 2016
- Album
- Judgement Day Remixes EP
- Genre
- Progressive House
- Loudness
- -8.4 dB
- Dynamics
- 11.7 dB
- ISRC
- IL4611600820
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- Judgement Day - John Cosani Remixremix10A · 123
- Judgement Day - King Unique Instrumentaloriginal1A · 122
- Judgement Day - Michael & Levan, Stiven Rivic Remixremix10B · 122
- Judgement Dayoriginal10A · 122
- Judgement Day - King Unique Remixremix1B · 122
Against the original (10A at 122 BPM), this version holds the same tempo and moves the key from 10A to 9A.
A club-tempo progressive house cut, Judgement Day - Madloch Remix sits in E minor (9A) at 122 BPM. The feel is dark and driving. Rhythmically it is built for the dancefloor. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. The master keeps unusual dynamic range for club music (crest 12 dB). A 2016 production that still circulates in sets. More underground than 99% of Lonya's catalogue. For programming, treat it as a mid-set roller.
- Brightness:
- darker than 80% of Lonya's catalogue
- Tempo:
- slower than 78% of Lonya's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 40%
- Low
- 30-130 Hz
- 26%
- Low-mid
- 130-570 Hz
- 18%
- Upper-mid
- 570 Hz-2.5 kHz
- 16%
- High
- 2.5-11 kHz
FAQ
What key is Judgement Day - Madloch Remix in?
Judgement Day - Madloch Remix by Lonya is in E minor, or 9A on the Camelot wheel.
What BPM is Judgement Day - Madloch Remix?
Judgement Day - Madloch Remix runs at 122 BPM, a club-tempo track.
What mixes well with Judgement Day - Madloch Remix?
From 9A it blends harmonically with 10A, 9B, 8A. Moving to 10A lifts the energy a step.
Is Judgement Day - Madloch Remix good for peak time?
With energy 66 out of 100 at 122 BPM, it works best as a mid-set roller.
Mixes harmonically
9A → 8A · 10A · 9BFrom 9A, 10A (B minor) lifts the energy a step; 9B (G major) brightens to the relative major; 8A (A minor) cools the energy down a step.
How to mix it
In 9A at 122 BPM: 10A (B minor) — move to 10A to push the floor harder; 9B (G major) — switch to 9B for a mood change without losing the groove; 8A (A minor) — drop to 8A to bring the room down gently.
Pitch range at ±6%: 115-129 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 4A rather than 9A; below -5% it reads as 2A. With key lock on, it stays 9A across the whole range.
Programming: a mid-set roller.
Similar tempo
Within ±3 BPM of 122 — beatmatch without a big tempo pull.
More progressive house
More from Lonya
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 122 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
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