Prospect - feat. ÄTNA - Matthew Herbert Golden Instrumental Mix
30s preview
- Key
- 8A · A minor
- BPM
- 122
- Open Key
- 1m
- Energy
- 65/100
- Pop
- 4/100
- Length
- 7:26
- Released
- 2022
- Album
- Nobody Is Not Loved, Remixes, Pt. 2
- Genre
- Tech House
- Loudness
- -12.5 dB
- Dynamics
- 14.3 dB
- ISRC
- DELV42200332
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- Prospect - feat. ÄTNA - Matthew Herbert Golden Mixoriginal8A · 122
- Prospect (feat. ÄTNA) - Carl Craig Late Island Mixoriginal10A · 127
- Prospectoriginal8A · 122
Against the original (8A at 122 BPM), this version holds the same tempo in the same key.
A club-tempo tech house cut, Prospect - feat. ÄTNA - Matthew Herbert Golden Instrumental Mix sits in A minor (8A) at 122 BPM. The feel is dark and driving. The groove is strong and floor-ready. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. The master keeps real dynamic headroom. The master keeps unusual dynamic range for club music (crest 14 dB). Slower than 78% of Solomun's catalogue. In a set it works best as a mid-set roller.
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 40%
- Low
- 30-130 Hz
- 31%
- Low-mid
- 130-570 Hz
- 21%
- Upper-mid
- 570 Hz-2.5 kHz
- 8%
- High
- 2.5-11 kHz
FAQ
What key is Prospect - feat. ÄTNA - Matthew Herbert Golden Instrumental Mix in?
Prospect - feat. ÄTNA - Matthew Herbert Golden Instrumental Mix by Solomun is in A minor, or 8A on the Camelot wheel.
What BPM is Prospect - feat. ÄTNA - Matthew Herbert Golden Instrumental Mix?
Prospect - feat. ÄTNA - Matthew Herbert Golden Instrumental Mix runs at 122 BPM, a club-tempo track.
What mixes well with Prospect - feat. ÄTNA - Matthew Herbert Golden Instrumental Mix?
From 8A it blends harmonically with 9A, 8B, 7A. Moving to 9A lifts the energy a step.
Is Prospect - feat. ÄTNA - Matthew Herbert Golden Instrumental Mix good for peak time?
With energy 65 out of 100 at 122 BPM, it works best as a mid-set roller.
Mixes harmonically
8A → 7A · 9A · 8BFrom 8A, 9A (E minor) lifts the energy a step; 8B (C major) brightens to the relative major; 7A (D minor) cools the energy down a step.
How to mix it
In 8A at 122 BPM: 9A (E minor) — move to 9A to push the floor harder; 8B (C major) — switch to 8B for a mood change without losing the groove; 7A (D minor) — drop to 7A to bring the room down gently.
Pitch range at ±6%: 115-129 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 3A rather than 8A; below -5% it reads as 1A. With key lock on, it stays 8A across the whole range.
Programming: a mid-set roller.
Similar tempo
Within ±3 BPM of 122 — beatmatch without a big tempo pull.
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Beyond strict key and genre matches: tracks that still sit in beatmatch range of 122 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
