Catrin (Liverpool Street Station)
30s preview
- BPM
- 92
- Double-time
- 184
- Open Key
- 7d
- Energy
- 25/100
- Pop
- 35/100
- Length
- 3:10
- Released
- 2022
- Album
- Actual Life 2 Piano EP (February 2 - October 15 2021)
- Genre
- Minimal
- Loudness
- -14.6 dB
- Dynamics
- 13.8 dB
- ISRC
- GBAHS2200472
- Explicit
- Yes
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- Catrin (The City)original2A · 106
Against the original (2A at 106 BPM), this version runs 14 BPM slower and moves the key from 2A to 2B.
Catrin (Liverpool Street Station) is a slow-groove tempo minimal track in F♯ major (2B) at 92 BPM. Tonally it lands brooding and low-slung. It leans atmospheric over strictly danceable. The mix is almost entirely instrumental. Its spectrum is centred in the low-mids, warm and bass-forward. The master keeps real dynamic headroom. The master keeps unusual dynamic range for club music (crest 14 dB). Darker than 96% of Fred again's catalogue. In a set it works best as a warm-up or breakdown cut.
- Tempo:
- slower than 92% of Fred again's catalogue
- Groove:
- less groove-driven than 85% of Fred again's catalogue
- Energy:
- calmer than 84% of Fred again's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 31%
- Low
- 30-130 Hz
- 37%
- Low-mid
- 130-570 Hz
- 26%
- Upper-mid
- 570 Hz-2.5 kHz
- 6%
- High
- 2.5-11 kHz
FAQ
What key is Catrin (Liverpool Street Station) in?
Catrin (Liverpool Street Station) by Fred again is in F♯ major, or 2B on the Camelot wheel.
What BPM is Catrin (Liverpool Street Station)?
Catrin (Liverpool Street Station) runs at 92 BPM, a slow-groove tempo track.
What mixes well with Catrin (Liverpool Street Station)?
From 2B it blends harmonically with 3B, 2A, 1B. Moving to 3B lifts the energy a step.
Is Catrin (Liverpool Street Station) good for peak time?
With energy 25 out of 100 at 92 BPM, it works best as a warm-up or breakdown cut.
Mixes harmonically
2B → 1B · 3B · 2AFrom 2B, 3B (D♭ major) lifts the energy a step; 2A (E♭ minor) settles into the relative minor; 1B (B major) cools the energy down a step.
How to mix it
In 2B at 92 BPM: 3B (D♭ major) — move to 3B to push the floor harder; 2A (E♭ minor) — switch to 2A for a mood change without losing the groove; 1B (B major) — drop to 1B to bring the room down gently.
Pitch range at ±6%: 86-98 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 9B rather than 2B; below -5% it reads as 7B. With key lock on, it stays 2B across the whole range.
Programming: a warm-up or breakdown cut — early set or after a peak to reset the room.
Similar tempo
Within ±3 BPM of 92 — beatmatch without a big tempo pull.
More minimal
More from Fred again
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 92 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
