Heyyy Hey by Spektre cover art

Heyyy Hey

Spektre

30s preview

Key
4A · F minor
BPM
180
Half-time
90
Open Key
9m
Energy
23/100
Pop
0/100
Length
2:51
Released
2025
Genre
Minimal
Loudness
-13.3 dB
Dynamics
13.0 dB
ISRC
QZNWW2589640
Explicit
Yes

Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026

Heyyy Hey: minimal, F minor (4A), 180 BPM. It reads as brooding and low-slung. It is vocal-led. Spoken-word passages run through it. Its spectrum is weighted to the sub and kick, with a heavy low end. The master keeps real dynamic headroom. The master keeps unusual dynamic range for club music (crest 13 dB). Calmer than 99% of Spektre's catalogue. In a set it works best as a warm-up or breakdown cut.

Reach:
more underground than 99% of Spektre's catalogue
Tempo:
faster than 98% of Spektre's catalogue
Groove:
less groove-driven than 94% of Spektre's catalogue

Sonic profile

EnergyGrooveMoodOrganicInstr.LiveTempo
Energy23
Mood25Dark
Groove54
Acoustic37
Instrumental0
Live9
Speech41

Frequency spectrum

amplitude · bass → treble

601252505001k2k4k8k
35%
Low
30-130 Hz
29%
Low-mid
130-570 Hz
21%
Upper-mid
570 Hz-2.5 kHz
15%
High
2.5-11 kHz

FAQ

What key is Heyyy Hey in?

Heyyy Hey by Spektre is in F minor, or 4A on the Camelot wheel.

What BPM is Heyyy Hey?

Heyyy Hey runs at 180 BPM.

What mixes well with Heyyy Hey?

From 4A it blends harmonically with 5A, 4B, 3A. Moving to 5A lifts the energy a step.

Is Heyyy Hey good for peak time?

With energy 23 out of 100 at 180 BPM, it works best as a warm-up or breakdown cut.

Mixes harmonically

4A3A · 5A · 4B

From 4A, 5A (C minor) lifts the energy a step; 4B (A♭ major) brightens to the relative major; 3A (B♭ minor) cools the energy down a step.

Every move from 4A

5ASimple Mix Upper
3ASimple Mix Downer
4BTonal Shift·
5BDiagonal Mix Upper
3BDiagonal Mix Downer
1BCompatible Tone·
6AHigh Energy Boost▲▲▲
2AHigh Energy Drain▼▼▼
7AParallel Key Upper▲▲
1AParallel Key Downer▼▼
11ATritone Jump▲▲
8ARelated Keyrisky

How to mix it

In 4A at 180 BPM: 5A (C minor) — move to 5A to push the floor harder; 4B (A♭ major) — switch to 4B for a mood change without losing the groove; 3A (B♭ minor) — drop to 3A to bring the room down gently.

Pitch range at ±6%: 169-191 BPM — anything in that window beatmatches without sounding stretched.

Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 11A rather than 4A; below -5% it reads as 9A. With key lock on, it stays 4A across the whole range.

Programming: a warm-up or breakdown cut — early set or after a peak to reset the room.

Similar tempo

Within ±3 BPM of 180 — beatmatch without a big tempo pull.

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Other recommendations

Beyond strict key and genre matches: tracks that still sit in beatmatch range of 180 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.

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