Gaze
30s preview
- BPM
- 184
- Half-time
- 92
- Open Key
- 3d
- Energy
- 53/100
- Pop
- 0/100
- Length
- 6:33
- Released
- 2016
- Album
- Relatively Definitely
- Genre
- Minimal
- Loudness
- -10.4 dB
- Dynamics
- 8.8 dB
- ISRC
- DEH741603269
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- Gazeoriginal10B · 184
A minimal cut, Gaze sits in D major (10B) at 184 BPM. Tonally it lands dark and steady. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. The master keeps real dynamic headroom. A 2016 production that still circulates in sets. Faster than 99% of Oliver Schories's catalogue. In a set it works best as an opener or closing-set piece.
- Groove:
- less groove-driven than 99% of Oliver Schories's catalogue
- Reach:
- more underground than 99% of Oliver Schories's catalogue
- Low end:
- more bass-heavy than 96% of Oliver Schories's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 49%
- Low
- 30-130 Hz
- 32%
- Low-mid
- 130-570 Hz
- 15%
- Upper-mid
- 570 Hz-2.5 kHz
- 4%
- High
- 2.5-11 kHz
FAQ
What key is Gaze in?
Gaze by Oliver Schories is in D major, or 10B on the Camelot wheel.
What BPM is Gaze?
Gaze runs at 184 BPM.
What mixes well with Gaze?
From 10B it blends harmonically with 11B, 10A, 9B. Moving to 11B lifts the energy a step.
Is Gaze good for peak time?
With energy 53 out of 100 at 184 BPM, it works best as an opener or closing-set piece.
Mixes harmonically
10B → 9B · 11B · 10AFrom 10B, 11B (A major) lifts the energy a step; 10A (B minor) settles into the relative minor; 9B (G major) cools the energy down a step.
How to mix it
In 10B at 184 BPM: 11B (A major) — move to 11B to push the floor harder; 10A (B minor) — switch to 10A for a mood change without losing the groove; 9B (G major) — drop to 9B to bring the room down gently.
Pitch range at ±6%: 173-195 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 5B rather than 10B; below -5% it reads as 3B. With key lock on, it stays 10B across the whole range.
Programming: an opener or closing-set piece.
Similar tempo
Within ±3 BPM of 184 — beatmatch without a big tempo pull.
More minimal
More from Oliver Schories
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 184 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
