Remnants - Chill Mix
30s preview
- Key
- 5A · C minor
- BPM
- 184
- Half-time
- 92
- Open Key
- 10m
- Energy
- 52/100
- Pop
- 0/100
- Length
- 2:37
- Released
- 2024
- Album
- Remnants
- Genre
- Minimal
- Loudness
- -7.4 dB
- Dynamics
- 12.0 dB
- ISRC
- AUQ0L2406528
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- Remnants - Radio Editversion5A · 123
- Remnants - Extended Mixversion5A · 123
Remnants - Chill Mix: minimal, C minor (5A), 184 BPM. Tonally it lands dark and steady. The groove is loose and less beat-driven. It is vocal-led. The master keeps unusual dynamic range for club music (crest 12 dB). Faster than 99% of Nihil Young's catalogue. In a set it works best as an opener or closing-set piece.
- Groove:
- less groove-driven than 99% of Nihil Young's catalogue
- Reach:
- more underground than 99% of Nihil Young's catalogue
- Energy:
- calmer than 97% of Nihil Young's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 28%
- Low
- 30-130 Hz
- 31%
- Low-mid
- 130-570 Hz
- 24%
- Upper-mid
- 570 Hz-2.5 kHz
- 17%
- High
- 2.5-11 kHz
FAQ
What key is Remnants - Chill Mix in?
Remnants - Chill Mix by Nihil Young is in C minor, or 5A on the Camelot wheel.
What BPM is Remnants - Chill Mix?
Remnants - Chill Mix runs at 184 BPM.
What mixes well with Remnants - Chill Mix?
From 5A it blends harmonically with 6A, 5B, 4A. Moving to 6A lifts the energy a step.
Is Remnants - Chill Mix good for peak time?
With energy 52 out of 100 at 184 BPM, it works best as an opener or closing-set piece.
Mixes harmonically
5A → 4A · 6A · 5BFrom 5A, 6A (G minor) lifts the energy a step; 5B (E♭ major) brightens to the relative major; 4A (F minor) cools the energy down a step.
How to mix it
In 5A at 184 BPM: 6A (G minor) — move to 6A to push the floor harder; 5B (E♭ major) — switch to 5B for a mood change without losing the groove; 4A (F minor) — drop to 4A to bring the room down gently.
Pitch range at ±6%: 173-195 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 12A rather than 5A; below -5% it reads as 10A. With key lock on, it stays 5A across the whole range.
Programming: an opener or closing-set piece.
Similar tempo
Within ±3 BPM of 184 — beatmatch without a big tempo pull.
More minimal
More from Nihil Young
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 184 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
