Manual.prg (Inter.a) by Cari Lekebusch cover art

Manual.prg (Inter.a)

Cari Lekebusch

Key
10A · B minor
BPM
95
Double-time
190
Open Key
3m
Energy
51/100
Pop
0/100
Length
3:36
Released
2000
Genre
Minimal
Loudness
-14.2 dB
ISRC
DEAZ30717886

Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026

Manual.prg (Inter.a) runs 95 BPM in B minor (10A), a slow-groove tempo minimal record. It is vocal-led. The timbre leans dark. The master keeps real dynamic headroom. A 2000 production that still circulates in sets. Slower than 99% of Cari Lekebusch's catalogue.

Reach:
more underground than 99% of Cari Lekebusch's catalogue
Energy:
calmer than 98% of Cari Lekebusch's catalogue
Groove:
less groove-driven than 95% of Cari Lekebusch's catalogue

Sonic profile

EnergyGrooveMoodOrganicInstr.LiveTempo
Energy51
Mood26Dark
Groove59
Acoustic81
Instrumental0
Live13
Speech12
darkrelaxedvoice

Frequency spectrum

amplitude · bass → treble

FAQ

What key is Manual.prg (Inter.a) in?

Manual.prg (Inter.a) by Cari Lekebusch is in B minor, or 10A on the Camelot wheel.

What BPM is Manual.prg (Inter.a)?

Manual.prg (Inter.a) runs at 95 BPM, a slow-groove tempo track.

What mixes well with Manual.prg (Inter.a)?

From 10A it blends harmonically with 11A, 10B, 9A. Moving to 11A lifts the energy a step.

Is Manual.prg (Inter.a) good for peak time?

With energy 51 out of 100 at 95 BPM, it works best as an opener or closing-set piece.

Mixes harmonically

10A9A · 11A · 10B

From 10A, 11A (F♯ minor) lifts the energy a step; 10B (D major) brightens to the relative major; 9A (E minor) cools the energy down a step.

Every move from 10A

11ASimple Mix Upper
9ASimple Mix Downer
10BTonal Shift·
11BDiagonal Mix Upper
9BDiagonal Mix Downer
7BCompatible Tone·
12AHigh Energy Boost▲▲▲
8AHigh Energy Drain▼▼▼
1AParallel Key Upper▲▲
7AParallel Key Downer▼▼
5ATritone Jump▲▲
2ARelated Keyrisky

How to mix it

In 10A at 95 BPM: 11A (F♯ minor) — move to 11A to push the floor harder; 10B (D major) — switch to 10B for a mood change without losing the groove; 9A (E minor) — drop to 9A to bring the room down gently.

Pitch range at ±6%: 89-101 BPM — anything in that window beatmatches without sounding stretched.

Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 5A rather than 10A; below -5% it reads as 3A. With key lock on, it stays 10A across the whole range.

Programming: an opener or closing-set piece.

Similar tempo

Within ±3 BPM of 95 — beatmatch without a big tempo pull.

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Other recommendations

Beyond strict key and genre matches: tracks that still sit in beatmatch range of 95 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.

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