Cause And Effect
30s preview
- BPM
- 141
- Half-time
- 71
- Open Key
- 9d
- Energy
- 98/100
- Pop
- 17/100
- Length
- 5:22
- Released
- 2025
- Album
- XYZ, Pt. 2
- Genre
- Techno
- Label
- Mind Medizin Records
- Loudness
- -6.2 dB
- Dynamics
- 10.5 dB
- ISRC
- QM4TW2590165
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Cause And Effect runs 141 BPM in A♭ major (4B), a driving up-tempo techno record. The feel is punchy, neutral in mood. Rhythmically it is built for the dancefloor. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. Better known than 98% of Cari Lekebusch's catalogue. For programming, treat it as a floor-filler.
- Tempo:
- faster than 93% of Cari Lekebusch's catalogue
- Energy:
- hotter than 89% of Cari Lekebusch's catalogue
- Low end:
- more treble-tilted than 87% of Cari Lekebusch's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 36%
- Low
- 30-130 Hz
- 28%
- Low-mid
- 130-570 Hz
- 21%
- Upper-mid
- 570 Hz-2.5 kHz
- 15%
- High
- 2.5-11 kHz
FAQ
What key is Cause And Effect in?
Cause And Effect by Cari Lekebusch is in A♭ major, or 4B on the Camelot wheel.
What BPM is Cause And Effect?
Cause And Effect runs at 141 BPM, a driving up-tempo track.
What mixes well with Cause And Effect?
From 4B it blends harmonically with 5B, 4A, 3B. Moving to 5B lifts the energy a step.
Is Cause And Effect good for peak time?
With energy 98 out of 100 at 141 BPM, it works best as a floor-filler.
Mixes harmonically
4B → 3B · 5B · 4AFrom 4B, 5B (E♭ major) lifts the energy a step; 4A (F minor) settles into the relative minor; 3B (D♭ major) cools the energy down a step.
How to mix it
In 4B at 141 BPM: 5B (E♭ major) — move to 5B to push the floor harder; 4A (F minor) — switch to 4A for a mood change without losing the groove; 3B (D♭ major) — drop to 3B to bring the room down gently.
Pitch range at ±6%: 133-149 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 11B rather than 4B; below -5% it reads as 9B. With key lock on, it stays 4B across the whole range.
Programming: a floor-filler.
Similar tempo
Within ±3 BPM of 141 — beatmatch without a big tempo pull.
More techno
More from Cari Lekebusch
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 141 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
