B2 - Stigmata 04
30s preview
- BPM
- 141
- Half-time
- 71
- Open Key
- 6m
- Energy
- 100/100
- Pop
- 0/100
- Length
- 4:46
- Released
- 2000
- Album
- Stigmata 4/10
- Genre
- Techno
- Loudness
- -6.8 dB
- Dynamics
- 10.7 dB
- ISRC
- DEW560030404
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- B2 - Stigmata 07original3A · 144
- B2 - Stigmata 08original3B · 146
- B2 - Stigmata 06original9A · 143
- B2 - Stigmata 01original10B · 141
- B2 - Stigmata 09original8B · 147
- B2 - Stigmata 05original10B · 143
B2 - Stigmata 04: driving up-tempo techno, A♭ minor (1A), 141 BPM. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. A 2000 production that still circulates in sets. More underground than 99% of Chris Liebing's catalogue.
- Brightness:
- brighter than 95% of Chris Liebing's catalogue
- Energy:
- hotter than 87% of Chris Liebing's catalogue
- Groove:
- groovier than 85% of Chris Liebing's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 36%
- Low
- 30-130 Hz
- 29%
- Low-mid
- 130-570 Hz
- 21%
- Upper-mid
- 570 Hz-2.5 kHz
- 14%
- High
- 2.5-11 kHz
FAQ
What key is B2 - Stigmata 04 in?
B2 - Stigmata 04 by Chris Liebing is in A♭ minor, or 1A on the Camelot wheel.
What BPM is B2 - Stigmata 04?
B2 - Stigmata 04 runs at 141 BPM, a driving up-tempo track.
What mixes well with B2 - Stigmata 04?
From 1A it blends harmonically with 2A, 1B, 12A. Moving to 2A lifts the energy a step.
Is B2 - Stigmata 04 good for peak time?
With energy 100 out of 100 at 141 BPM, it works best as a floor-filler.
Mixes harmonically
1A → 12A · 2A · 1BFrom 1A, 2A (E♭ minor) lifts the energy a step; 1B (B major) brightens to the relative major; 12A (D♭ minor) cools the energy down a step.
How to mix it
In 1A at 141 BPM: 2A (E♭ minor) — move to 2A to push the floor harder; 1B (B major) — switch to 1B for a mood change without losing the groove; 12A (D♭ minor) — drop to 12A to bring the room down gently.
Pitch range at ±6%: 133-149 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 8A rather than 1A; below -5% it reads as 6A. With key lock on, it stays 1A across the whole range.
Programming: a floor-filler.
Similar tempo
Within ±3 BPM of 141 — beatmatch without a big tempo pull.
More techno
More from Chris Liebing
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 141 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
